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Friday, April 20, 2018

Interview: Hellavista


Hellavista was formed in 2015 when they also released a demo. Now, these Austrian metallers released their full-length debut called Robolution through Art Gates Records on March 23rd. DutchMetalManiac's Tim van Velthuysen recently interviewed them.

Hey, congratulations with your new album, Robolution. I really like it! How does it feel to have your debut album released?

Nice to hear that you like our album. Having it released is a very good feeling for us, because it was a long way from the Demo 2015 to Robolution. During the developing process we decided to get a second guitar player who had to be found. So we had to rearrange all songs for two guitars. We also had to look for a label. Luckily Art Gates Records signed us. We are already working on our next album, so we try to release new songs as soon as possible.

How are the reactions on it so far?

Until now we got only a few reviews. There will follow many more in the next weeks. Most of them are really good and a few are very critical. But it is impossible to look at music objectively. Preferences are known to be different, especially when you mix some experimental stuff to classic stuff. The more reviews come along the more we know if the metalheads like it or not. And if nobody likes our music, we also won’t give a fuck about that and will keep going on our way.

How did the writing/recording process of Robolution go?

We try to be efficient. Because the band does not bring in any money but costs a lot, each of us has a normal job. That means we don´t have time for endless jamming in the rehearsal room. Our guitarplayer Glaso creates a rough arrangement of the songs and notes it down for the other guys. Our vocalist Harry writes the lyrics. That´s the way we start with a song and then everyone can bring in ideas. When 3 or 4 songs are finished we record them to hear if they work or if we can make something better.

Since your album is called Robolution, what do you think about robotic technology?

Like every other technology you can use it for bringing peace or making war. This is something that you always have to be aware of. Robotic technology is very good in most cases, it should be used to make our lives easier. Robots should carry heavy things, work 24/7 for us or calculate complicated things that would keep our brains busy for weeks or years. On the other hand drones are used to drop bombs onto other people because they have another stupid religion or whatsoever. The point is - and this is treated in the song Robolution: we are exploiting robots. That’s okay as long as they don’t think about that. But as we make them more and more intelligent they might develop something like consciousness and then we are fucked. Only Satan can help us then…

For Robolution you signed to Art Gates Records. What makes them the best label for you at this moment?

We are very thankful that Art Gates Records signed us. We have heard about them from our Swiss friends EXIT,who are also in their roster. The guys from AGR are highly motivated and have a great philosophy concerning underground bands. The communication is very good and they support us whereever they can. Thank you amigos!

You hail from Austria. How is the Austrian metalscene?

Hmm, that’s a polarizing topic in some way. There are lots of big metal bands that fill the biggest venues in Vienna, so you might think that there are billions of metalheads in this small country. However, if there’s an underground concert sometimes there are 10 or 20 people maximum. That’s really sad but we don’t think that’s an Austrian phenomenon only. Maybe that’s a little bit exaggerated. There is a good underground - let’s call it - “core team”, where everyone knows each other, but this team should be much bigger.

Any bands from there you recommend?

Austrian bands we can definitely recommend are for example: Black Inhale, Irdorath, Mastic Scum, Void Creation, Darkfall, Fallen Utopia, Pungent Stench, Disastrous Murmur, die Hinichen … and many many more – we can’t mention all of them here.

On April 30th you will play the Robolution CD release show in The Viper Room in Vienna. Looking forward to it?

Of course we are glad to present it to our fans and also to people who might have never heard of us. Every concert and every metalhead who raises his or her beer for us growling for more gives us power to go on and stay on our way of making music.

Anything special planned for that evening you can already tell us something about?

Yes, we plan to have lots of booze. But first we want to give a great show to the audience.

Speaking about shows, can we expect more of them? Maybe coming to The Netherlands?

Yes. We hope that we can grab a support slot of a tour in autumn. The problem is that you must be lucky to get an useful offer. But we definitely will try. Apart from that we will play as much gigs we can get. If we get the possibility to come to the Netherlands we will definitely do that with pleasure!

Thanks for your answers! Is there anything you want to say to our readers?

We hope you enjoy our music, we hope that everyone gets the chance to see us live and please don’t forget to drink beer and listen to metal every day for your own health!

Hellavista Official Website
Hellavista Facebook

Monday, April 16, 2018

Review: When Reasons Collapse - Omen Of The Banshee


When Reasons Collapse, what’s in a name, is a Paris, France based quintet consisting of four men and a woman. Founded in 2008 they play death-/metalcore with brutal female vocals, which are the responsibility of vocalist Christina. Along her side she finds, in no particular order, Thierry and Julien on guitar, Michaël on bass guitar and Guillaume on drums. Up until today they have three releases under their belt, two demos and a full-length and they are on the brink of releasing their latest work, a full-length called Omen Of The Banshee. And that about sums up what the band members allow the world to know about them. Besides, the term ‘full-length’ must be used loosely considering the fact the album lasts only a pinch over thirty minutes. Having said that, the length of the album does not take anything away from the experience the nine songs offer you, so it’s not really an issue.

On to the tunes themselves then. After a 2-minute intro song that, due to its nature, does not actually serves its purpose, which is introduce what is yet to come, the album kicks into gear with Lies of God, which to me is a bit of a false start. The timing of the vocals is, especially in the faster parts of the song, slightly off at times, not really fitting the rhythm of the song. That seems to be a one-off miss, because during the rest of the album that problem is not that distinctly audible anymore, though not completely gone. Nevertheless WRC definitely shows potential with this release. Not only do they produce a massive wall of sound, they also manage to canalize that wall into bite size chunks of aggressive, brutal yet melodic metal with a touch of subtlety. Christina has an impressive throat that is capable of both higher and lower pitched grunts, growls and screams, although I personally like her better in the lower section. Both guitarists seems to know exactly what the other is doing, their riffs and lines intertwine nicely with both each other and the rest of the instrumental lines of the songs. The rhythm section parts are equally designed to fit the song like a glove and are equally skillfully executed. There’s room to shine and frolic for all throughout the songs, a definite plus for the album in my opinion. Despite being sometimes little more than a single riff or drum line, those intermezzos break the tension for a bit thus keeping things interesting without having too much influence on the song structure and atmosphere.

In short, Omen Of The Banshee, with great artwork I might add, offers a stiff half an hour of music that will crush you, but still has plenty of variety to avoid it sounding like an indigestible chunk of sound. And in all honesty, with this collection of songs, packed with heaviness and speed, it feels like a hell of a lot more than just thirty minutes, which is a good thing of course. Apart from the intro you will have eight songs that all fit the death-/metalcore genre unleashed on you, without either one of them being comparable to the other structure-wise. They all have that oppressive, aggressive, agitated atmosphere inherent to the type of metal and its accessory vocals. Even the slower parts breathe that tension. At the same time the guys and girl added various, at times only tiny intermezzos to the songs, lightening up the atmosphere just enough to keep you focused. An exception to this is the album closer Lost which is rather subdued compared to the other songs. There still is that atmosphere of oppression, but without the sharp edges it has in the other songs, calming your tortured nerves. I think WRC did a great job with this release, although you have to know and appreciate the type of music to thoroughly enjoy this. Highlights are Omen Of The Banshee, The Raven and Δ. [Orpheus].

Written by Henric van Essen

When Reasons Collapse Official Website
When Reasons Collapse Facebook
When Reasons Collapse Twitter

Friday, April 13, 2018

Interview: Crescent


The Egyptian metal band Crescent was formed in 1998, released their debut album Pyramid Slaves in 2014, was the first Egyptian metal band to tour Europe and now they released their new album The Order Of Amenti through Listenable Records. DutchMetalManiac's Tim van Velthuysen recently interviewed Crescent's Youssef Saleh and Ismaeel Attallah.

Hey, congratulations with your new album, The Order Of Amenti, it sounds really nice!

Many thanks, glad you liked it!

When you compare The Order Of Amenti to its predecessor, Pyramid Slaves (2014), what is it you notice?

The Order of Amenti is more mature, dark, and highlights our tendencies towards creating a black metal atmosphere with a death metal sound!

The Order Of Amenti is a tribute to the Ancient Egyptian gods. What means Egypt for you and what makes it that way?

Other than the fact that Egypt is our home where we grow up, it is also a huge inspiration. Egypt with all its history, culture, and present is always teaching everyone something about life (or perhaps the afterlife as well?). The ancients found their inspiration in the environment, everyday life and things we learn as we go by, hence their reflection of such teachings in the mythologies and the stories about the Gods. We, also, get our inspiration from the same sources.

For releasing The Order Of Amenti you signed to Listenable Records, what makes them the best option for Crescent at this moment?

Listenable Records is an extremely renowned and respected label! We know, like most people do, about their history and how they were/are the home of many of the great bands in metal today. We knew that we were going to deal with decent people who are passionate about metal and who knew how to help their bands achieve their goals. We are always working together coherently to get the best result out of everything we do and that makes it the best option for us!


The cover of the new album is made by Michał "Xaay" Loranc, what made him the best person for this job?
Xaay is a great artist and he has experience with many famous bands like Behemoth and Nile. The guy knows what he’s doing and how to reflect what the band is asking for. Not to mention his productive feedback and always involving us in the process. We tried with other artists but Xaay was just the best one for it.

You hail from Egypt, how is the metal scene in Egypt?

The metal scene here exists pretty much from the mid-90s. However, it faced a hiatus due to allegations of Satanism and inactivity when it comes to concerts and whatnot. It took many years until it picked up again only to be demolished by the devaluation of the Egyptian pound, thus inactivity again, but we are doing our best to contribute to its revival.

It must be noted that the scene here is still not mature enough and it is quite young, we get many attendees to concerts (around 1000 people) but it lacks the purchasing culture, not enough webzines, no record stores, only one venue that hosts metal concerts, not even one record label and no competitiveness when it comes to festivals (it is pretty much just one professional fest, which is Metal Blast).

How is playing in a metal band in Egypt?

It has its challenges of course. As I mentioned before, it lacks the basis on which the band can survive. Only a few people buy CDs and/or merch and there’s no real basis for growth. Not to mention that due to the currency devaluation, equipments prices tripled, organizing a concert costs tripled as well and so on! Not to mention the occasional societal pressures from bullshit media allegations about how such music poses a danger to society, luckily no one buys from that crap anymore (maybe just a few).

Any Egyptian bands you would recommend?

Definitely, keep an eye on Ahl Sina as they are currently recording their album!

You were the first Egyptian band to tour Europe, any plans to come back to Europe in the near future? Maybe also playing in The Netherlands?

Absolutely, we always make it to Europe 2-3 times a year! We would love to play in The Netherlands; we actually performed there during our tour.

We are confirmed for Party.San Open Air in Germany and we are absolutely psyched about it, we cannot wait to unleash The Order of Amenti there! We might reveal another appearance later this year in Europe, possibly a place where we have never been before.

You are also announced as headliner of the Metal Blast Festival in Egypt, looking forward to it?

Hell yes! It has been almost 2 years and a half since the last time we performed in Egypt, due to the issues I’ve mentioned before.

It is always great to perform at home and to be on the forefront of the scene’s revival and growth!

Thanks for your answers! Is there anything you want to say to our readers?

We hope to perform in your hometown in the near future!

Keep the Extreme Metal flames burning!

Cheers
Youssef Saleh and Ismaeel Attallah
CRESCENT

Crescent Official Website
Crescent Facebook
Crescent Twitter

Thursday, April 12, 2018

Interview: Despicable Heroes


In December last year, the Dutch metallers of Despicable Heroes released their EP, Arrival. They also reached the semi-finals of the Dutch Metal Battle. At those semi-finals DutchMetalManiac's Tim van Velthuysen interviewed their guitarist Kevin Bos and their vocalist Koen Vroom, which you can read below. In the end, they also won this semi-final, so they will appear in the final of the Dutch Metal Battle too.

Hey, congratulations with your latest EP, Arrival, which was released in December last year, it's really nice!

Kevin: Thanks!

Koen: Yeah, it's nice, right? We are also really satisfied with it.

Kevin: For sure! We are working hard and are very enthusiastic. It's doing great with some nice shows.

Koen: It gives us a boost in terms of productivity. We also really want to do shows again.

When you compare Arrival with its predecessor, Shipwrecked, released in 2013, what do you notice?

Kevin: There are less tracks, but the total album length is higher. Of course that means the tracks have become a bit longer. The most easy way to describe it is probably that we became more mature in creating and playing our music. Shipwrecked was still a bit of just being heavy and ramming in the direction of metalcore, even with a bit of hardcore. Now, we are just making real metal. So, the tracks have become longer.

Koen: They also became heavier. The idea behind it is that it has to be powerful. Besides the tracks being well-written they also are really powerful. That is our goal and I think we succeeded in that.

You (Koen) wasn't part of Despicable Heroes during Shipwrecked, right?

Koen: No, but we are friends for about seven years or something now. I did contribute my vocals to one track on Shipwrecked. That already was very nice and since that time we kept contact. When they played in the area, I often went to the show and joined them for a song. It's a really nice group. At one moment they asked me to join them as vocalist. At that moment I was too busy for it and it was too far away for me. A year later I got a relation with someone coming from Ede, which made it all a bit more attractive. I already wanted to join them and now it was with less distance. Earlier I was just worried about it costing too much. Now, everything turned in the right direction. So, that was when I joined them. It was already clear that it was a right match at the first rehearsal.

Kevin: For sure! First, we went to eat something with everyone, also to chat a bit with each other. At that moment we also knew it was the right decision. We even didn't need to do an audition.

Koen: I already knew I would fit in with the guys, in terms of how I am. We are friends, I knew I could handle their humor, I knew I could handle Kevin and I knew Kevin could handle me. A match made in heaven. It is super, I am really happy that I chose to join them.

On Shipwrecked you (Kevin) did the vocals. Besides that you already knew each other, was there another reason for getting a new vocalist in Despicable Heroes?

Kevin: At the beginning we started with the three of us, the drummer, the bassist and I. Soon I noticed that I was very busy with a lot of things. I was taking care of getting all in the right direction, talking between the tracks, tuning and playing my guitar and screaming, that cost me a lot of energy. The next step was that Sander, our guitarist, joined and I changed to doing vocals only. That went very well. In the meantime I was writing new tracks and we soon noticed that we needed a second guitarist for those. I wrote all that, so I also picked up the guitar again. However, that made me doing all those things together back again. So, it again cost me a lot of energy and I barely noticed what was happening in the audience. So, when we started writing Arrival I knew we needed a new vocalist. I also wanted to have fun and enjoy, we won't be the new Parkway Drive or something like that. Let's start with having fun, which means a guitarist joining and me doing vocals or a vocalist joining and me playing guitar. Unfortunately, it became the second option.

Koen: Yeah, I am sorry. I am not very good at playing guitar, otherwise I would maybe handle that.

You hail from Barneveld.

Kevin: Yeah, Gino (the bassist) and I hail from Barneveld, the drummer is from Lunteren, the other guitarist is from Ede, everyone a bit further away.

Koen: And I hail from Zevenaar, which is almost Achterhoek. So I am living the furthest away, but I also feel a little bit like someone from Barneveld.

Kevin: You are living in Ede for half the time.

Koen: Exactly, I am very often in Ede. We rehearse every week.

Barneveld is a place in the Dutch Bible belt. Is that something that gives struggles sometimes?

Kevin: No, not really. We rehearse on Friday evening, which goes without struggles. We aren't a satanic band or something, so we can do our thing. I don't have the idea that Barneveld limits us in that. In my opinion it's a nice contrast we can show to the outside, rather than it limiting us. Of course, we also were a christian band originally.

Koen: On the other side, we aren't getting subsidy from the church. They don't support us, but they also aren't against us.

Also congratulations on reaching the semi-finals of the Dutch Metal Battle which is tonight. How did the latest round go?

Kevin: It went great, otherwise we wouldn't be here.

I understand that, of course you won that round. However I meant how did the show go?

Kevin: The show went very well, we were the third band of the evening, just as we are tonight. We went to that show with the idea that we wouldn’t win, but just for playing a nice show. In the end we won the audience price and the jury price, that gives a huge kick in your self-confidence.

Koen: That was something really nice, we went to that show without expectations. We were pretty relaxed and had quite some fun with the other bands that evening. It was fun, we were all in it together, but we didn't begrudge each other. It was really nice and during the announcing of the winners you of course get a little bit nervous. In the end we first won the audience price, which we already thought because of the way that person was saying it. After that they again called our name because we also won the jury price. That was amazing, that we hadn't expected. We just had a lot of fun during the show. Apparently that was something that has been seen, which is nice. I think it means that you're doing great when you win without going just for winning. That of course is how it feels.

You also didn't expect that during the evening?

Kevin: No, there was a real good band before us.

Koen: The competition was strong. All bands were very difficult to compare to each other. One of them was very melodic, while we play less melodic. We have a lot of technical stuff in our music, but what is standing out is the lower and heavier part of it. Some other bands had the more melodic part standing out more. It depends on what the jury judges about or whether they judge about the total package.

Kevin: To hear your name two times afterwards is amazing.

Looking forward to tonight, what do you think about it?

Kevin: The same!

Koen: I try to not make it a competition in my head, but of course there is a very big price attached to it, which keeps staying in my head a bit. Of course we play because of playing our music, but the fact that there is a possibility to win it is always in your mind. I am not nervous right now, but I will be before our show. Of course those nerves will be back when the final band stopped playing and the jury will announce the winners. We just want to play our show for playing our music, which is something we also want show that.

Does that also include trying not to think about it too much?

Kevin: We just go to play a nice show.

Koen: We will throw a party during our show and we like to show that.

Kevin: The audience that doesn't come for a specific band, doesn't care about it being a band battle or not. We just want to entertain them.

Koen: We will see at the end of the evening which band wins. Of course it would be nice if that would be us.

Your music sounds like it has a lot of energy in it, how do you transform this to the stage at a gig?

Kevin: By being who we are to be honest.

Koen: We also get a lot of our energy from playing our music. Even during rehearsals it is difficult to stand still. We really enjoy creating and playing our music, which is in my opinion why it sounds very convincing. It is my outlet, I work in the home health care. There I am very calm and I have to be normally social. Here I can scream, jump, dance and everything I want to do and this is what I can put my energy in.

Kevin: We just go, when we are on the stage, the switch flips. We are on stage for the audience, the audience is there for us. So, just do whatever you like to do.

Koen: I think we are also very proud of our music. For us, there is no doubt about whether our music and our show are good or not. It's good to us. I think that we have some sort of self-confidence that we bring onto the stage because of that. I don't know whether that contributes to a better show or not, but to me it is something very important. We made this and I am proud of that. I am also proud to propagate that to people.

How do you prepare for a show?

Kevin: Beer.

Koen: Two beers to get on the right level and a bottle of water for on the stage. I noticed that I am getting older. When I played shows 10 years ago I could handle it a bit better compared to now.

Kevin: Time to exercise!

Koen: Exactly, I have to work on my fitness. It costs quite some energy, I for sure have muscle pain tomorrow. It is totally worth it though. I think I prepare too little compared to what I should do. That also is because I don't have any idea about how to prepare. I didn't have a vocal coach or something like that. If things will go very well for us in the future, that is something I have to look for. Until that moment we will just do what we like the most and in the way it works for us. After that we will see when that time comes.

Kevin: For sure. When preparing the stage the warming-up almost goes without noticing.

Besides tonight you already announced three upcoming gigs, can we expect more of them?

Kevin: When it's up to us for sure. We are already working on some more shows, but we can't tell something about that yet. Let's hope that, for example, Brainstorm this year is possible, that would be very nice.

You are also already working on new material, right?

Kevin: Indeed. The next EP is coming. We started working on it a few weeks ago. We are allowed to use two fantastic guitars build by Bo-El for that, which is amazing. Bo-El is a guitar builder from this area. This EP will be a bit more melodic than the last one. In my opinion it will be a nice step after Arrival.

Koen: We will look to what more we can get out of us. Trying to push ourselves a little bit further. Watching what more things are in Kevin's mind, he is mainly busy with writing it. The tracks are also very nice, again. It perfectly fits the direction we are headed in so far, but in my opinion it also adds something extra. Just a different flavor or something, which I really like. You can for sure listen to the tracks after each other or in a different order. They all will fit in our set for sure and that won't be at the expense of the energy.

Do you already have any idea about a release date or not?

Kevin: It will for sure take three months to be finished, so it probably will be autumn.

So, you (Kevin) are mainly writing. Where do you get the inspiration from?

Kevin: I do indeed. I mostly get my inspiration from other music. When I listen to a band, I often think about what would sound nice added to it. That idea is staying in my mind for a while and at some point I start working on it. Out of the blue I am sitting behind my computer and I suddenly get the right feeling. That's when I pick up my guitar and get for example a riff out of it. I'll bring it to rehearsal and then we'll work on it together.

Koen: Working on it, expanding it, trying different things that could be added to it.

Kevin: Yeah, that's what mainly happens in the rehearsal room. I often bring one or two riffs to rehearsal and we transform that into a track together.

Koen: It is also very nice to see how for example a guitar riff by Kevin gets picked up by the drummer. Kevin hears what he does with it and he maybe didn't have that in mind, but really likes how it sounds.

Kevin: That way we play things to each other. Two or three rehearsals later we are finished and have a full track to rehearse with the entire band.

Thanks for your answers! Is there anything you want to say to our readers?

Koen: We like to play gigs, so in case you have a nice festival or show: bookings@despicableheroes.com and also enjoy listening to our music on Spotify.

Kevin: Thanks DutchMetalManiac!

Despicable Heroes Facebook
Despicable Heroes Twitter

Wednesday, April 11, 2018

Review: Aetherian - The Untamed Wilderness


Greek melodic death metal band Aetherian released its debut album The Untamed Wilderness already back in November last year, but it’s never too late to review, right? So let’s give it a spin!

Everything starts with Wish For Autumn Twilight. This is a mainly instrumental intro that floats between very soft passages and some aggressive drumming, paired with deep growls. A very nice prelude to what is yet to come! Dark Earth is more aggressive than its predecessor, especially because it’s marked by aggressive drumming right from the beginning. You get some time to catch your breath though in this 7-minute song with an instrumental bridge in the middle and another melodic fade-out at the end. As The Veil Fades has some Insomnium-moments in it, while Black Sails is marked by some nice acoustic guitar chords in the beginning, in the middle and at the end. Seeds Of Deception is generally more somber regarding its atmosphere, but things lighten up again somewhat with the intro of Shade Of The Sun. Not for too long though, as we enter then the most brutal passage of the entire album! Clouds Gathering is a very soft, instrumental interlude: acoustic guitars are teaming up with a cello on this one for some bittersweet melodies. Things then speed up again with The Rain, a track that pays tribute to Omnium Gatherum and Be’lakor again, so right up my alley and very melodic, albeit the growls and heavy guitar riffs. The Path is closing off the album and is also a Scandinavian-sounding melodic death metal track, but more midtempo in pace than its predecessor.

In conclusion: Aetherian claimed in their accompanying info sheet that they can compete with the Scandinavian pioneers of the melodeath genre – and it’s very true! The Untamed Wilderness is quite a diverse album and well-produced. The guys themselves are great musicians, so it’s a joy to listen to them throughout the entire album. Aetherian play classic melodic death metal alike the bands mentioned above, so if you’re a fan, you should check them out! 9.5/10.

Written by Julia Obenauer

Aetherian Facebook

Tuesday, April 10, 2018

Review: De Profundis - The Blinding Light Of Faith


British death metal combo De Profundis celebrated their 10th anniversary last year. Meanwhile, it’s been already three years since they released their brilliant album Kingdom Of The Blind – so about time for the new one, which is entitled The Blinding Light Of Faith and will be released on 10th of May.

Obsidian Spires is a great, more classical death metal track to start the album with. Especially stick to the very end for some provocative narrative ;) next up is the first single of the album, War Be Upon Him. Like its predecessor, it’s more brutal in sound than the songs of Kingdom Of The Blind, but also a very good track with an awesome instrumental bridge two thirds in. And then, finally there it is, De Profundis’ hallmark: Opiate For The Masses comes with the first jazz-part in the album. Brutal drumming awaits on Bastard Sons Of Abraham, while Martyrs is another great blend between death metal and some more experimental sequences. It gets overall more mid-tempo, and thus a bit more relaxed, on Godforsaken, before Beyond Judgement offers another round of ass-kicking. Bringer Of Light, a more melodic death metal track, then already closes off the album.

In conclusion: as usual, De Profundis deliver a quality album with killer production and musicianship. As I had hoped, the guys maintained their hang on blending in all sorts of genres. Still, while The Blinding Light Of Faith is darker, more brutal and less experimental than its predecessor, it’s another gem. Absolutely recommended! 10/10.

Written by Julia Obenauer

Read our other De Profundis reviews here (Frequencies) and here (Kingdom Of The Blind).
Also be sure to read our interview with De Profundis' guitarist Shoi here

De Profundis Official Website
De Profundis Facebook
De Profundis Twitter

Friday, April 6, 2018

Interview: Titans Fall Harder


Last year the French metallers of Titans Fall Harder released their debut EP, called Evolve. In January this year, they released their new single, called Machine World. DutchMetalManiac's Tim van Velthuysen recently interviewed Titans Fall Harder, read it below!

Hey, congratulations with your last year released debut EP Evolve and the more recently released single Machine World, both are really nice!

Thank you!

Titans Fall Harder is a relatively new band, can you tell us something about the short history of the band and how Titans Fall Harder came together?

Well, at the very beginning Titans Fall Harder was created in the fall of 2015 with the meeting of Eliott Tordo (keyboards), Matthieu Mervant (guitars) who were already working together on another project, and Niels Quiais (drums). We worked together on a demo and quickly found Stéphane Hacquard (bass) and Clément Casagrande (vocals). Both were funny but great encounters. We then decided to work on our EP Evolve and so on! That was the very beginning of Titans Fall Harder.

You combine a lot of different styles in your music, how would you describe it to someone who haven't heard it before?

When we are writing new songs, we don’t really take care about the music style, we just want to create something related to our universe. We could describe ourselves as a ‘sci-fi metal band’ because that’s the only thing that link our songs. We add orchestral, electronic, metal, movie soundtrack stuff in our music so it is a mix of everything as long as it belongs to our music universe.

Who are Titans Fall Harder's musical influences?

We have several influences, it depends on the side of the music we focus on. For example, instrumental parts are really based on modern metal bands like Gojira, Dagoba, Meshuggah, After The Burial, but sound designs and orchestrations are more influenced by bands like Septicflesh, The Algorythm, Fleshgod Apocalypse or video games soundtracks and especially Mick Gordon's DOOM one. We are also very influenced by film soundtracks such as the ones from Star Wars, Matrix, Alien, Blade Runner and Mad Max.

Since there is a lot to be heard in your music, how does the writing/recording process go in Titans Fall Harder?

As you noticed there is a lot of elements in our music so we have to be very disciplined if we want to be efficient and creative. Most of the time, Eliott begins the process with concept ideas, atmosphere or a guitar riff. Then with Matthieu they work on the structures and riffs of the songs. We all give them feedbacks and when the song is accepted by everyone, we all work on arrangements in order to give the song a particular feeling. Finally, when everything is written we begin the production process.

Your music is very heavy but also a bit atmospheric sometimes, especially due to the added electronic sounds. How do you find the perfect balance in this?

We usually try to write our music as something living and full of shade, so we add orchestrations, including electro stuff, at specific and chosen moments of our songs. We don’t think that we found the perfect balance because some bands like Gojira are giving those same emotions without using so much stuff but now it belongs to our music style so we want to assume and improve it. For the future we want to add more sound designs to our songs in order to go further in the science fiction theme.

When you compare last year's EP Evolve with the new single Machine World, what is it you notice?

It’s really hard to compare them both. Evolve was made nearly two years ago, at this moment we were still wondering about what kind of music we wanted to play, now this EP is not really corresponding to what the band wants to become. With Machine World we wanted to give our fans something more actual about our music, but then we realize that our future records won’t be like that. Therefore, Machine World was more a kind of music and video experimentation than a real taste ofwhat will be the future of our music.

It all sounds very epic and energetic, how do you transform this to the stage when performing live?

You said the main word: energetic. At this time, we don’t have the live setup that we need to give a real science fiction atmosphere during our concerts so we focus everything on the feeling, the connection and the crazy atmosphere between the crowd and us. We worked a lot on our motions, on the best way to make the crowd following us in our universe. We transform all the song’s samples for concerts and we only keep the most useful VST in order to focus on real instruments. We rehearse a lot so we are trying to give the public the most authentic version of our songs in an intense way.

Speaking about live shows, you already announced two shows in April. Can we expect some more Titans Fall Harder shows in the near future? Maybe coming to The Netherlands?

Of course! We will add a few shows for this year especially some really cool support gigs (Fleshgod Apocalypse, Promethee…) but we also are in an intense writing process at the moment. So now we are focused on our future projects but keeping a real booking activity the same time is really hard. In order to answer your question, we won’t come to the Netherlands at the moment but be sure that we are looking for some ways to go abroad and especially in Europe. We would be more than happy if it could happen!

Already working on any new material?

Yes we are currently working on some cool stuff! We began to play live since the beginning of 2017, that’s not so old but now we all have the feeling that Evolve needs to have a “sequel” with a new story and an upgraded music. I won’t tell you anything else but stay tuned, it can come really soon!

Can you already tell us something about it?

I can already tell you that it’s gonna be really heavy!

Thanks for your answers! Is there anything you want to say to our readers?

The support and feedback from everyone means a lot to us so feel free to listen to our music and give us your feedback, we need it! Thanks a lot for your questions!

Titans Fall Harder Facebook

Thursday, April 5, 2018

Interview: Absalem


In 2016, a new Spanish metal band called Absalem was formed. On November 24th, they released their debut album called Chaosvolution. DutchMetalManiac's Tim van Velthuysen interviewed Absalem about Chaosvolution, among other things.

Hey, congratulations with your debut album, Chaosvolution. It's really great!

Hello there! and thank you!

Your sound is quite unique, how would you describe it yourself to someone who doesn't know you yet?

We don’t know exactly how to describe it… Usually for the death metal fans we’re considered as a progressive band and for progressive guys we’re considered as a death metal band… So, maybe, our sound is some kind of mixture of melodic death metal and progressive music.

How does it feel to have your debut album released?

It feels great! For some of us it was the first time we recorded ever, and it’s awesome to be able to hear yourself in Spotify and think “oh! we are that band!”.

You formed in 2016 and already released your debut full-length in November 2017, which is pretty fast I think. There must be plenty of inspiration, where do you get inspiration from?

Each band member had their own inspiration, and trust me, it’s fairly different from one member to another. Summing up I could say we were inspired by bands like Korn, Deftones, Foo FIghters, Death, Dream Theater, The Agonist, Opeth, Porcupine Tree, Jinjer, Amaranthe or Gojira.

How did the writing/recording process of Chaosvolution go?

We recorded the whole album ourselves, in our rehearsal place and with our own means. The one responsible for our recording, mastering and producing was our guitar player Miguel and it’s thanks to him that we managed to get a decent quality sound in the CD. Finally we took our time for recording and each one tried their best and worked really hard in each recording session and for that we are really proud of our CD and ourselves.

The artwork, which is created by Rubén Manchado López, is really great! What is the story behind it and what made Rubén the perfect one for this job?

Rubén is an old friend of some members of the band, he’s not only an outstanding artist but he’s also a very talented musician. When he heard our songs for the first time he liked them so much that he offered to make the artwork for us, and, indeed, he did a great job.

You signed to Art Gates Records for releasing Chaosvolution. What makes Art Gates Records the best label for you at this moment?

They’re a dedicated metal label and thanks to them we are learning some valuable lessons about how to work properly in music.

You recently parted ways with your guitarist Álvaro Fonseca. How do you feel about that situation?

It is sad, he’s a very close friend of us and parting our musical ways with someone like him is not easy. Out of this musical context we are still being close friends and of course we wish him the best on his life.

Does that mean Absalem is going to continue as a quartet or is there going to be a replacement?

Indeed, we need a replacement and in fact we’re searching for it.

At this moment you haven't announced any shows, can we expect some shows soon? Maybe coming to The Netherlands?

Right now our priority is to find a new guitarist and prepare the setlist with him or her, then we will search new shows in our country. Touring in Europe will have to wait, we’re still a small band and we don’t have the means to do that, but as soon as we get them it will be a pleasure to play in The Netherlands.

Do you already have any plans for new material or not?

We have some ideas for a new album but, as we said, right now we have other priorities.

Thanks for your answers! Is there anything you want to say to our readers?

Thank you for the interview, and we’d like to say hi to all the readers!

Absalem Facebook

Wednesday, April 4, 2018

Interview: Horrorscope

photo by: nstation.pl

Last year, the Silesia, Poland-based thrash metallers of Horrorscope released their 6th full length album, called Altered Worlds Practice. DutchMetalManiac's Tim van Velthuysen spoke with Horrorscope's Krzysztof 'Xycho' Kłosek (bass) and Lech 'Blackpitfather' Śmiechowicz (guitar) as you can read below.

Hey Krzysztof and Lech, how are you?

Krzysztof: Well, I'm fine, evening chill out with something to drink.

Lech: Thanks I'm fine , just back home from 12h work today.

Congratulations with your latest album, Altered Worlds Practice, I really like it!

Krzysztof: Nice to hear that, thanks.

Lech: Thank you very much, you like that stuff?

Yeah, I do.

Lech: It is our 6th full length regular album but in fact we even have a demo from `98 too, but don't try to listen to it, please, haha. It was eons of time ago and we were young and inexperienced haha.

Okay, just discovered Horrorscope with this album.

Lech: Fine, this is a better option for your ears.

You come from Silesia, Poland, what does the Silesia-region mean for you?

Krzysztof: It's the most industrial region in Poland.

Lech: It's rather industrial and the biggest agglomeration in Poland I think, lots of people, including us, are just living here.

Krzysztof: That's why hard work is in our blood.

Lech: Maybe yes, but we are not miners, you know. Hard work is inscribed in thrash metal, because of really hard practice and some technical skills I think.

But do you see Horrorscope more as a Silesian band or as a Polish band?

Krzysztof: It's not an easy question. Our region has a difficult history.

Lech: Yes, you're right. Rather Silesian, but we are a Polish band for sure. We are proud of that, man!

Krzysztof: Exactly.

Lech: This area is deeply touched by WWII and some animosity.

Krzysztof: We have Polish, German and Czech roots, for that reason the people here in Silesia are more open minded that the rest of our country for sure.

Lech: Between citizens, Silesia was always used and torn apart politically, but today is digital society era, so we are talking online and I hope there will be no borders and no fights anymore.

So, just for me understanding it the right way. You are a Polish band, but very proud of the Silesia region?

Krzysztof: Exactly! This is our mark like the Bay Area in the USA.

Lech: I like this comparison too, we like the Bay Area thrashers kingdom.

I understand that.

What makes Horrorscope unique in the thrash metal genre?


Krzysztof: Thrash for us is the root, but we like crossing the borders. We like visiting death, heavy and many other styles and mixing them in our Horrorscope style.

Lech: I don't know, it's you who should hear the difference in music, am I right? I think we are doing our best as musicians and as a band. Radical thrashing machine - we used to describe our music like that, you know...

It definitely sounds nice for sure!

Lech: It sounds just like a real band because it's live sound. No VST plugins and no Kemper profiler were used during the recording sessions.

You also have a guest musician doing a solo on the track Parallel Worlds Practice, Sergio Klein. How was working with him?

Krzysztof: He's a great guitarist, a great guy and a friend of us, so it was a pure pleasure for us.

Lech: We've been in contact about cooperation, many times we've met at the gigs and we've shared one stage. We've known each other since he joined The Outside so it is a longtime friendship.

As the last track on your album you have a cover of Entombed's Wolverine Blues. Why did you choose to do a cover of this track?

Krzysztof: Because it's a nice piece of shit. We all like Entombed.

Lech: I think it's just a tribute and respect for the Swedish cult band, and we really enjoy performing this song live and at the rehearsals.

Krzysztof: We had recorded thrash and heavy metal band covers in the past. The next in line was a death metal band cover and we've done it.

But any particular reason for this track?

Lech: We were having fun doing this.

Krzysztof: It's more a rock 'n roll song than a death metal track. That's the reason, I think.

Lech: This track is more heavy and ironically fits to the rest of our songs.

Krzysztof: It's a good song, finally.

Lech: We are kind of rock 'n roll too, but more heavy or on speed.

The artwork of Altered Worlds Practice is made by Natalia Jonderko. What made her the best person for this job?

Krzysztof: She's a very talented person who is close to the band and understands our ideas.

That can be seen for sure indeed.

Lech: We were working conceptually with all illustrations, and she was doing old school type sketches, you should see some reports from this work. We shared the making of, have you seen it yet?

No, haven't seen it, but will do soon for sure.

Lech: You're welcome, you can check it out here.

Last year Horrorscope existed for 20 years, how do you look back at those years?

Krzysztof: Well... all of us had their better or worse days but... We like the way we've chosen, the music we play.

Lech: Now we are adults, but with the same metal in our veins.

Krzysztof: Exactly!!

Lech: For many years we've been trying to build a solid brand, we make our music desperately and honestly.

Krzysztof: Everybody and everything is changing, but the main goal is still the same.

Lech: The music scene and business is changing, everything is different but we play our music with ever greater passion and experience. What we do now is better and mature, also from the production side and sound of the band.

And what is the most memorable Horrorscope-moment so far for you?

Krzysztof: Every new album is one of the favourite moments but also every gig - especially the gigs with our metal idols like Megadeth, Testament, Flotsam and Jetsam.

Lech: Hahaha yes, there were 6 even 7 most memorable but, from a different view we also had some funny moments too.

Can you tell something about those funny moments?

Krzysztof: Better not. The funniest moments weren't linked to alcohol every time.

Lech: I remember how the mother tape was destroyed during the recording on the old equipment, it was before 2000. Now it's funny but it wasn't at that time. A little scary but it's a fact so... We straightened the crashed mother's tape, that died before recording the guitars.

Lech: There was a concert on which I fell off the stage and the guys were looking for me, they did not know what was happening. I disappeared.

Ouch

Lech: The smoke generator was working and I didn't saw the end of the stage. So I fell, but nothing bad happened, my guitar was saved, I was not, haha.

Nice to hear nothing bad happened. Talking about the future then. What's on Horrorscope's wishlist for the future that you haven't done before?

Krzysztof: Well... You had to ask about that 10 years ago. But seriously speaking, we have some ideas. However, now we're concentrating on gigs and the promotion of Altered Worlds Practice.

Lech: We will plan a concert with Exodus and Iced Earth and then we want to successively get ready for the next new album and at the same time doing regular shows as always. We like these moves.

Sounds interesting. Since you already exist for quite some time, do you have any advice for young and starting bands?

Lech: The best advice is to be yourself and do what you feel, do not listen to business advice. Honesty, respect and team work is working.

Krzysztof: Go on, keep thrashing, make the music you like, be yourself, practice your skills and someday you'll finish it all.

You already announced some shows in Poland and two festivals in Germany and Czech Republic. Any chance of more Horrorscope shows? Maybe coming to The Netherlands?

Lech: We'd like to play in the Netherlands one day. It is about some plans maybe, we are really into those shows.

Would be awesome seeing you play here.

Krzysztof: So we're waiting for an invitation, we often play in Germany, so it is a small distance to visit The Netherlands.

Lech: Would be great, yes. Let's try to work on it. You have supposedly the best fresh milk there. I would like to convince myself.

Would be nice! Thanks for your answers! Is there anything you want to say to our readers?

Krzysztof: Well... Support small bands, not only the major ones, go to the gigs, not only watch Youtube. Buy CD's and other merchandise, because the bands need your support.

Lech: Listen to Horrorscope and we invite you to gigs, maybe in Holland I hope too. Nie rozkazuj kurwa! Haha (it was a joke :) )

Krzysztof: Yeah, maybe one day we'll meet together in front of the stage and drink some beer or something.

Lech: Milk. It would be a great pleasure for us.

Krzysztof: Yep.

Would be nice! Thanks for your answers!

Krzysztof: Thank you Tim!

Lech: Thank you, pleasure on our side, thanks for your interest in our music. Respect all metal maniacs.

Horrorscope Official Website
Horrorscope Facebook
Horrorscope Twitter

Monday, April 2, 2018

Review: Sons Of Apollo - Psychotic Symphony


Okay, so if you read my earlier reviews, then you know that I am not a big fan of reviewing an album track by track. Sometimes I will do it, but in case of the album Psychotic Symphony from supergroup Sons of Apollo it’s virtually impossible! The album really stays true to its name. Upon listening to the album for the first time, it immediately becomes clear that we are dealing with phenomenal musicians in their purest form. The title of supergroup is therefore well deserved!

The opening song God of the Sun actually consists of three parts. In the first part you can hear heavy guitars, powerful drums, and raw rock vocals. After five minutes the song becomes calmer and it is apparent that singer Jeff Scott Soto has quite versatile vocal capabilities. I am saying quite because I think that with Sons of Apollo it isn’t about the vocals and to be perfectly honest, I do not find the vocals that inspiring or mind blowing, but that might be a matter of taste. Don’t get me wrong, Jeff Scott Soto does exactly what he has to do, he can carry the songs like they were meant to be sung, with a lot of dedication and he definitely belongs in this supergroup, because it all fits really well together, but I can’t escape the feeling that I think something is missing. Like he can’t bring his A Game all the time. But this might also have to do with the fact that this guy has some amazing musicians that are surrounding him. Take for instance keyboardist Derek Sherinian, in the song Labyrinth he plays an amazing keyboard solo, one that is nothing less superior to the constant guitar violence of virtuoso Ron “Bumblefoot” Thal. This in my opinion underappreciated guitarist, who had the extremely ungrateful job of helping Mr. Axl Rose by replacing Slash in Guns and Roses, a much better choice than Slash if you ask me, on this album shows that he is much more than a replacement of an overachieving rock icon who isn’t half as good as people make him out to be. Nonstop Mr. Bumblefoot gifts the listeners with stunning solos and tight rock riffs. Like I said earlier, the album does its name justice. By placing all of these wonderful musicians together, it sometimes can become a little bit of a contest to show which musician has the best skills. This last remark might be a little harsh, because that would mean that they didn’t think about the structure and the content of the songs, which I think isn’t the case at all. On the contrary, I think that the musicians find each other very well and everything is well thought off, even the smallest details. Halfway down in the tracklist there is the song Alive. In this song we can definitely hear that Jeff Scott Soto is more versatile than you might think at first. This is because of the quieter intro of the song.

The last song of the album Opus Maximus is completely instrumental and serves as a perfect closer. Here, Sons of Apollo show what a bunch of great musicians they are once again! But I haven’t really talked about one very important thing yet and that is fantastic drummer Mike Portnoy. This man shows during the whole album that he is a phenomenal drummer who can throw out the most complex drum parts thinkable! He excels without letting his attention slip for even the second! This man is absolutely great!

Sons of Apollo is a band which you might have to get used to, the musicians are technically very good, but it sometimes lacks a little bit of passion. The vocals don’t excel and the song texts are merely superficial. All of this is more than made up for by the fantastic musicians that the Sons of Apollo are! In my opinion Psychotic Symphony is an album for the real music lover!!!

Written by Glenn van der Heijden

Sons Of Apollo Official Website
Sons Of Apollo Facebook
Sons Of Apollo Twitter

Friday, March 30, 2018

Interview: Alea Jacta


In November last year, the Spanish contemporary metal band Alea Jacta released Tales Of Void And Dependence. Below you can read an interview DutchMetalManiac's Tim van Velthuysen had with Alea Jacta's guitarist Alejandro Montelongo and vocalist Ed Vera.

Hey, congratulations with your new album, Tales Of Void And Dependence. I really dig it.

Alea Jacta exists since 1994 and already released a few EP's, demo's and a split. However, Tales Of Void And Dependence is your first full-length. What is the reason for releasing your first full-length now and not earlier?

Alejandro: Thank you. We recorded several EPs and demos and not a full-length album because we felt it was the right thing to do at the time. We prefer to give quality to our songs from the point of view of composition and production and take advantage of the Momentum of each period of the band. We also had no bigger intention for many years, than to take those recordings and play live seeing how the people of our islands enjoy with the music. Things have changed. Now we really have band members with the desire to take our project to another level and a label that can distribute and send our message to the rest of the world.

When you compare the music on Tales Of Void And Dependence to the music on your earlier material, what is it you notice?

Alejandro: More mature. We have integrated the creative contributions of the new formation through their influences and we create something that sounds to us but with greater creativity. The disc is conceptual. He talks about the Sensation of Emptiness and the need to find something that fills it, but that makes us pay the price of becoming dependent (drugs, pathological couples, fantasies of the future that frustrate us, compulsive sex ...). We decided to produce it ourselves with the help of Carlos Dg a friend of the band with great experience and we took the sound in an interesting direction that balanced the aggressiveness with the beauty of the music. For the artwork of the album we worked with an impressive conceptual artist Loida Fernández who illustrated the concept. If you give yourself the opportunity to enjoy it and immerse yourself in it, you will be caught inside. At least it happened to us.

For releasing this album you signed to Art Gates Records, what is it that makes them the best label for you at this moment?

Ed: It is a label that defends its bands internationally and allows them to be themselves, with a direct relationship with us, and with the necessary experience as musicians to advise us in the right direction.

This year you already exist for 24 years, what are the most memorable moments of Alea Jacta from the past?

Alejandro: Anyone who has made us feel together as brothers, and has made the public enjoy, from being together with 15 years in the rehearsal venue, to playing in the most prestigious festivals in Tenerife. More recently, playing our first international concert in Italy. More than we would have dreamed.

What is on your wishlist for the future to do with Alea Jacta, that you haven't done before?

Ed: Make a great international tour, create new music videos and continue to enjoy our music and that of other bands that share the stage with us, conquer the world ... You know ... Dreaming is free.

You come from the Canary Islands. How is the metalscene there?

Ed: Amazing. We are like faithful believers of the Metal Church. Great musicians with superinteresting projects without access to large audiences and investing more and more technique and creativity to their compositions. But we have begun to break the borders of the ocean and make ourselves felt at a national level.

Any bands from there you recommend?

Ed: Our Days in Oblivion (O.D.I.O), Disoomnia, Heather Brooke, Neomaniac, Damned Slaves, Semper, Slaughter Inc, This Drama, Pharaoh’s Fall… Too much to name them all.

Can we expect some Alea Jacta shows in the near future? Maybe coming to The Netherlands?

Ed: Incredible concerts in which we will share part of our soul and our sweat. Promoters from Netherlands, here we are. Get in touch with us and let's flip together there.

Already plans for any new material or not?

Ed: Composing new album at the moment. New musical atmospheres and aggressive riffs.

Thanks for your answers! Is there anything you want to say to our readers?

Ed: ALEA JACTA est… Let the dice be cast.

Alea Jacta Facebook
Alea Jacta Twitter

Wednesday, March 28, 2018

Review: Monads - IVIIV


Monads is a Belgium based five-piece (funeral) doom metal band, founded early in 2011. The word monad comes from the Greek word for unit, and has a variety of uses in, among others, philosophy and music, in the latter of which it is used to name a single note or pitch. Considering Monads’ field of play, doom metal where emphasis on each single note is inherent to the slow pace of the music, they chose their name wisely. Since their foundation it has been eerily silent around them. Save a well-produced demo in their early years called Intellectus Iudicat Veritatem, that has received some great critics, they have more or less ignored the music world up until now, supposedly to refine and grow. The sentence ‘chasing growth and perfection’ is music to my ears, although it on the other hand makes me a bit cautious. Either they actually did grow and neared perfection to whatever extent or this statement means they were not on the same page music- and/or composition-wise. Regardless which of the two is true, they have now completed their first full-length release called IVIIV, a four-song, 50-minute journey through the coldness of the barren planes of doom metal.

And coldness there is in Monads’ music, an abundance of it in fact, perfectly mixed with a huge dose of melancholy on IVIIV. The two combined create a desolate yet oppressive atmosphere that inevitably will affect your mood as this journey progresses. Monads’ interpretation of the slow, heavy, burdening sound that is the trademark of the funeral doom metal genre may not be particularly innovative, but the execution more than makes up for that. The guys have obviously put a lot of time and attention into the composition as well as the production of the four songs, making this release a perfect example of what a (funeral) doom metal album is supposed to sound like in my humble opinion. That may not sound as a big deal, but to me it in fact is. They have taken the genre in its current, modern form, stripped it from the unnecessary accumulated pollution that has obscured the genre throughout the years to reveal its bare essence and took that essence to the next level by adding their own essence to the mix.

Everything on this release is spot on: The heavy, at times excruciatingly slow riffs, the discrete yet determinative rhythm section, the deep, crushing growls that depict pain in all its forms, it’s all there, executed to near perfection. They even managed to avoid a common pitfall within the funeral doom metal genre, monotony-induced boredom, by ingeniously weaving a few faster passages into their compositions. These passages flirt with both death and black metal without compromising the essence of Monads’ preferred genre, quite an impressive feat in my opinion. To top it off the compositions are shrouded in a bone-chilling atmosphere thick with hurt, despair and melancholy, making the impression IVIIV leaves even more remarkable and indelible.

I think it’s safe to say that the six years of silence Monads have allowed themselves to do some introspection and try to refine and grow towards perfection have more than paid off. From the first careful, preparatory tones of Leviathan As My Lament to the hesitant, almost desperately hopeful piano outro that concludes both The Despair Of Aeon as IVIIV itself, this release has an impact that will leave its mark on you. The massive wall of carefully composed sound relentlessly test your senses to the extreme, albeit in a, for lack of a better word, pleasant way. This is by far the best (funeral) doom album I have heard in a long, long time, a no-brainer for fans of the genre and a great opportunity for everyone else. Seriously recommended by yours truly.

Written by Henric van Essen

Monads Facebook

Tuesday, March 27, 2018

Promoting Bands Part 15


Hey everyone! \m/

Here is a new part of Promoting Bands for you!

In case you want to read our earlier Promoting Bands parts (again), here they are:

Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
Part 8
Part 9
Part 10
Part 11
Part 12
Part 13
Part 14

And remember: don't hesitate to send us an email, Facebook or Twitter message if you want to be featured in the next part of Promoting Bands!

\m/

Tim van Velthuysen

1. Infected Rain


The first time I heard Infected Rain was while randomly listening to some music on YouTube. At that time I heard their track called Me Against You off their first album Asylum. When I heard that track I thought it was pretty generic instrumentally and vocally the clean parts weren't exactly to my liking. I still think the same about that track. However, thanks to a tip I listened to Infected Rain again. This time I started with their track called Orphan Soul off their last year released third album called 86. What a progress this band has made! The very intense drum sound and heavy guitar riffs are immediately standing out, besides of course the extremely intense screams of frontwoman Lena Scissorhands. Lena's voice also has grown very much in the clean vocal parts. Orphan Soul is heavy and intense but also atmospheric and melodic, perfect! Infected Rain also let us hear that they can mix their metal with a lot of other genres in a very nice way. For example, some pop, R&B, rap and electronica inluences shine through their track Mold, while still being very heavy. Below you can check Infected Rain's videoclip of Orphan Soul.



Infected Rain Official Website
Infected Rain Facebook
Infected Rain Twitter

2. Jonathan Davis


This second place of this part of Promoting Bands is for someone who of course needs no introduction, Jonathan Davis. Of course, he is Korn's vocalist, but the reason why he is in this part of Promoting Bands is because of his upcoming solo-album. In January, the first track of this solo-debut, called What It Is, was put online. It is a very nice track and I am curious to hear this solo-debut of Jonathan Davis for sure. In case you also like it, he is on tour in North America as well as Europe from April until June. For our Dutch readers, here is a link to his Melkweg, Amsterdam show. Below you can watch the videoclip for What It Is, as well as an album teaser.




Jonathan Davis Official Website
Jonathan Davis Facebook
Jonathan Davis Twitter

3. Crackhouse


In November last year I interviewed the Scottish metallers of Dvne, which you can check here. I did so at their show in Nijmegen. The support act that evening was the intense doom/sludge band Crackhouse hailing from France. Do you dig heavy, massive, intense music? Than Crackhouse is a band definitely worth a listen! In case they are having a gig in your area I would very much recommend you to not miss it. Crackhouse really crushes your bones live, that's how intense and massive their music is. Below you can listen to their last year released album Be No One. Be Nothing.



Crackhouse Facebook

4. Kalliomäki


It's hard to define which genre Kalliomäki's music is. Folk? Ambient? Metal? It for sure is very nice to listen to, whatever you want to call it. Kalliomäki is the solo-project of Tero Kalliomäki and he uses, among other instruments, a self made bowed lyre, a so-called Jouhikko. Furthermore he also gets help from some guest vocalists. Whether you like the more darker sides in folk and ambient or the more folkier metal (in a dark way), you for sure should check out Kalliomäki's music. The first three tracks of this solo-project are already online on Bandcamp. Below you can listen to the second of them, called Kunnes Katoan. In this track there are two guest vocalists: Anne Lill Rajala and Harri Koskela, both of Finnish theatrical metal band Lost In Grey.



Kalliomäki Facebook

5. Møl


Møl hails from Aarhus, Denmark and is, in my opinion, a very promising band in the blackgaze-genre. In April their new album, called Jord, will be released. One of the tracks off Jord is already released, it's called Penumbra and you can listen to it below. Dreamy, atmospheric, but also intense and crushing, Møl's blackgaze has it all and Møl also finds a perfect balance in this. I am for sure very curious to Jord and I definitely hope to see this band live some day. Their earlier EP's, a self-titled one and another one titled II, also let us hear that Møl delivers a lot of quality. I really wonder why this band isn't already a big name in the blackgaze-genre.



Møl Facebook

Friday, March 23, 2018

Live review: For All We Know and Mother Of Millions in 013, Tilburg, The Netherlands, March 16th, 2018


Ruud Jolie is a name that doesn't need an introduction. Of course he is the guitarist of Within Temptation. Besides Within Temptation he is one of the powers behind Maiden United, of which we interviewed the other power here. However, recently we also interviewed Ruud Jolie himself, which you can read here. That interview is about his own band: For All We Know. Recently For All We Know announced three concerts, as you can read in the interview. DutchMetalManiac's Tim van Velthuysen went to and reviewed one of those concerts, at the Jupiler stage in 013, Tilburg, The Netherlands on friday March 16th.

Once arrived in the venue I had to wait for half an hour before the support act started. Unfortunately it's pretty quiet in the venue, hopefully this will get better during the evening. However, the atmosphere is nice.


Around 8 o'clock it is time for the support act to kick off the evening. The support act is the Greek band Mother Of Millions. They immediately start with something that you won't see that often: a guitar being played with a bow. Another thing standing out is the drums sometimes being played with the hands of the drummer instead of drumsticks. The drummer is especially standing out during this gig, especially because of his clearly visible intense enthusiasm. These Greek guys play progressive rock with some heavier parts and some, a bit longer, instrumental parts. This gig of Mother Of Millions has a very great balance between atmospheric parts and heavier parts. Vocal-wise, the vocalist alternates between clean singing and a bit more screamy parts. Sometimes he even lets us hear that he can also sing pretty high notes, for example during the closing track of this gig, Spirals.


After 40 minutes of Mother Of Millions and a bit of time for changing the stage, it finally is time for For All We Know. Luckily there is somewhat bigger audience inside when For All We Know releases there first notes upon the audience. It immediately passes onto the audience and a lot of energy is getting unleashed. Musically For All We Know can be called pretty unique. Progressive, melodic but also with some heavier parts included. Something that is very unique, is the vocalist. Wudstik, or his real name Jermain van der Bogt, is originally coming from the hiphop scene. However, don't be scared by this, because this guy clearly has a phenomenal rock-voice with a huge reach. Whether he sings very high notes and clearly vulnerable or a bit lower notes in a bit rawer style, it all sounds perfect. Something that is good to see is that he really wants to do it in a great way, which he also clearly shows. For example, at one moment he has a lump in his throat during a very vulnerable and quietly-singing part. He stops, says that he has to drink some water and starts over. As he said himself you must have balls to do this during a live show. On the other hand this of course shows that he wants to give the audience all he can. He handles this in a great way, which is also worth a lot in my opinion. Of course this is part of being a good front man, which Wudstik definitely is. At some moment Ruud also has to say something in between the tracks. He is clearly visible happy with the audience and he also says this a couple of times during the evening. Another thing that is really nice to see is that everyone in the band clearly has a lot of fun during the gig and is very enthusiastic. A highlight of this fun is for sure when Ruud plays a solo on his guitar and Wudstik perfectly imitates this with his voice.

All in all, this was a very nice night with two bands that are really worth checking out.

Photos and review by Tim van Velthuysen

For All We Know Official Website
For All We Know Facebook
For All We Know Twitter
Mother Of Millions Official Website
Mother Of Millions Facebook
Mother Of Millions Twitter

Thursday, March 22, 2018

Review: Hildr Valkyrie - Revealing The Heathen Sun


Hildr Valkyrie is a one-woman band from Greece playing a wide mix of metal genres, like e.g. folk-Viking and pagan metal. Her newest longplayer, Revealing The Heathen Sun, was already released in November last year – but no reason to not review it after all!

Revealing The Heathen Sun kicks off with the mainly instrumental intro The Primordial Sky God, where some folk metal orientation is already hinted upon. Thunder rumbles as introduction to Over Lands, Mountains And Shade, a folk / Celtic music track in the likes of Eluveitie. We Are Heathens then leans a tad more towards power metal in the beginning, before unraveling a beautiful piano instrumental interlude halfway through the song. Final Blot is marked by deep growls, while The Rune’s Song reminds me a bit of the Anette Olzon-phase style of Nightwish. Same goes for My Oath, that contains a curious mix between spoken words, sung lyrics and chants. Thematically, the songs revolve mainly around Norse mythology and Viking lifestyle, as can be gathered already for example from the title of the album’s seventh track, An Ode To All Father Odhinn. Bringer Of Life, Bearer Of Fire and Sayings Of The Higher One are more instrumental tracks, enriched with chants and growls. Summoning The Heathen Fire features Runahild from Eliwagar, and with her parts of the lyrics in Norwegian. A very fine collaboration indeed! March To The Path For Walhall then closes off this album and is essentially a medieval-style flute and tambourine combination, which rounds up the pagan music flavor of this album.

In conclusion: Hildr Valkyrie stated on Facebook that she writes music based on what her soul decides – and the result is a glorious mix between all sorts of styles. Hildr’s musicianship is glorious as well, you can definitely tell that she has a lot of experience stemming from her many collaborations. The overall curious blend keeps you entertained right until the end, and thus this album comes highly recommended! 10/10.

Written by Julia Obenauer

Hildr Valkyrie Official Website
Hildr Valkyrie Facebook

Tuesday, March 20, 2018

Review: Epitaphe - Demo MMXVII


French extreme/death metallers Epitaphe released their three-song demo via Chaos Records in January this year. So, three songs, that should be a very short affair, right? Well, not at all – playing times vary between 10 and 18(!) minutes, summing up to about 40 minutes of total running time.

First up is the shortest track, entitled The Downward Stream. Epitaphe don’t fiddle around with any melodic intro but get right to it with aggressive drums and quite extreme guitar riffs. The production is quite raw, and from the info leaflet you can gather that the entire demo was mixed and mastered on analogue equipment from the 70s. Interesting enough, though, this actually works quite well in underlying the somber atmosphere created around mid-way through the track, where Epitaphe undertake an excursion towards doom metal territory. A more melodic outro then closes off this song. Next up is Embers, starting off with the melodic intro that was missing from The Downward Stream. This is one long tunnel of misery and despair that the guys generate here – doom mixed with dark metal passages, and deep growling all the way through. Very desolate in atmosphere, but well done regarding musicianship. Then comes the 18-minute monster with Smouldering Darkness. Some radio statics at the beginning before we get another doom metal track, blended with death and dark metal influences. So, funnily enough, this track is rather alike Embers, but quite different than The Downward Stream, making it hard for me to pinpoint a definitive musical direction or trademark sound. This track has a soft outro, which has some interlude, just like a last rearing, before the demo ends for good.

In conclusion: Epitaph’s demo is another take at death metal, with influences from extreme, doom and dark metal in each song. Still, as I just laid out, it’s actually very hard to point out a definitive category for their sound, so if you’re a fan of any of these genres, then you should check it out. What I really like is that the guys manage to create, and maintain, a very dark atmosphere throughout the entire playing time. Still, with around 40 minutes of total running time, the demo is comparable to some full-length albums – and in here lies my criticism: the songs sometimes feel a tad too drawn out. 18 minutes for one song is just too long, sorry guys! So if there’s one thing I could wish for, then it would be that they shorten the songs a bit, to get even more to the point. Still, this demo is a promising start and I am looking forward to hearing more from them! 8/10.

Written by Julia Obenauer

Epitaphe Facebook

Monday, March 19, 2018

Review: Driven By Impact - Driven By Impact


In 2015, five guys from Germany got the idea of starting a new band. This band got the name Driven By Impact and they play, as they say themselves, a mix of melodic-, death-, groove- and thrash-metal. The line-up of Driven By Impact is drummer Roman Rowinski, vocalist Eugen Rutz, bassist Constantin Christ and guitarist-combo Kim van Geel and Jens Schäfer. In July last year, these five guys released their self-titled debut EP.

After a mysterious, tension-raising intro, titled Prologue, Driven By Impact immediately unleashes with Building Fear. In the first moments a few things are already standing out, an example being the hyperactive drums with a nice, very intense sound. The guitars are also very present with a very nice sound. You'll also hear some very great solo's! Driven By Impact sounds angry and brutal, but also has its moments with some melody shining through their music. The fifth track, Experience In Red, could even be called atmospheric at times, even while that certainly isn't what you would expect at the beginning of the track.

That being said this brings us to another point of why this debut EP by Driven By Impact is that interesting: the many variations on it. These variations certainly don't sound forced and they will take care of your focus staying with the music for 100%. This for sure is necessary, because a little bit of distraction can make you miss some things of this EP. Especially because of these many variations, but also because of the many subtle details in their music, it is clear that these guys are very good in what they're doing. They also deliver their music with a huge dose of energy.

All together, Driven By Impact delivers a very strong EP, especially for it being a debut EP. In my opinion this for sure is a band to watch in the future. Getting so many variations in this EP within 25 minutes without sounding forced is something which I think is great. Make sure to listen to this debut EP of these German guys, because it's definitely worth it!

Written by Tim van Velthuysen

Driven By Impact Official Website
Driven By Impact Facebook

Thursday, March 15, 2018

Review: Leaves' Eyes - Sign Of The Dragonhead


It doesn’t happen often that an album doesn’t manage to convince me at all, but this unfortunately is the case with the newest album of Leaves' Eyes. First of all, let me tell you about the good things the album has to offer. When listening to the album I can immediately hear the great vocals from singer Elina Siirala, her extremely high vocal lines are spot on! But something else caught my attention. In the opening song Sign Of The Dragonhead there immediately is very much repetition noticeable. If I had to count how many times the phrase "sign of the Dragonhead" is uttered, my two hands would not be sufficient to count them all on. What is also very apparent, is that structurally the songs are very similar to each other. The vocal lines of singer Elina Siirala are supported by Gregorian choirs and at a certain point in a song, usually halfway through, the grunts of Alexander Krull join in, after that each song is nearing its conclusion. In addition, almost every song has some folk influences. I can’t say with a straight face that it is bad music however, to me the album comes across as slick and overproduced. Aren’t there any positive things to say about this album than? Of course there are!

Like I said earlier, the vocals are really good, you can hear this practically in every song. But in the song Like A Mountain we, for the first time can hear what Elina Siirala really has to offer. It is also the first song on the album that I really like! This is probably because the song is different enough than the previous songs in the track list, it still has the same structure but the vocals in this song really shine through and I really like her vocals so I guess you could say that the one and one is two!

The ballad Fairer Than The Sun is probably one of my favorite songs on the album along with the instrumental Rulers Of Wind And Waves. I won’t be completely negative about this album. The album certainly has a lot to offer for people that are searching for symphonic metal that is straight to the point, because that is what Leaves' Eyes actually does and there is nothing wrong with that, but I can’t escape the feeling that’s all and all the album feels very simplistic, especially if you compare this album with any album where ex lead singer Liv Kristine was part of.

The closing song Waves Of Euphoria does have variation in it and is a beautiful ending to the album.

Don’t get me wrong, this is no plea for Liv Kristine at all, I am not a fan of her vocals, but I feel that when she was with the band Leaves' Eyes their songs had deeper meaning and better lyrics. I would definitely listen to the album even if it is just for the vocals of new singer Elina Siirala! Like I said earlier, the vocals are amazing, let’s hope that Leaves' Eyes can support them instrumentally and lyrically on future releases!

Written by Glenn van der Heijden

Read our reviews about Leaves' Eyes' King Of Kings here and Fires In The North here

Leaves' Eyes Official Website
Leaves' Eyes Facebook
Leaves' Eyes Twitter

Wednesday, March 14, 2018

Horns Up To The Locals: Nijmegen



Hey everybody,

I sometimes get the question why DutchMetalManiac contains the word Dutch.

Some examples of what people may think are that we only write about Dutch metal or that DutchMetalManiac is meant for Dutch readers only.

For your information, both examples aren't true. DutchMetalManiac is there for everyone that likes to read our stuff and write about metal from all over the world.

We even have some writers that are not living in The Netherlands.

The only reason for having the word Dutch in DutchMetalManiac is because I started it in The Netherlands.

However, the Dutch metal scene is of course important for us, resulting in us writing about it regularly.

For that reason we started with a new feature on DutchMetalManiac: Horns Up To The Locals.

This feature will be all about local Dutch metal scenes, including interviews with people from that particular scene.

Let us know what you think about this feature and also be sure to let us know which local scene you would want to read about in the future. You can do so by Facebook, Twitter, email or by leaving a comment below.


The first part of Horns Up To The Locals will be about Nijmegen, simply because I live there myself.

Nijmegen has a lot of history. For example, it is one of the oldest Dutch cities, got a lot of damage during World War II and has a big past with squatters. So, a lot of big historic events in the history of Nijmegen.

In Nijmegen's musical history there is one event that stands out for sure: the birth of guitarist Eddie Van Halen on January 26th, 1955.

In my opinion Nijmegen is a city which is very focused on culture, including music. On musical level this for sure can be seen in Nijmegen's various venues. Of course, Doornroosje is the most important one, especially since they moved to their newer, better accessible location right next to the train station.

Read our interview with metalhead Jorgen Lodenstijn, who is also one of the DJ's of Doornroosje, below.


Hey Jorgen, how are you?

I am fine, busy at work.

What's your favorite release at this moment?

The latest album of Integrity. It's a band that exists for quite some time now and I always liked them. In my opinion, the latest album is the best one they've ever done. It's a great mix of '80s old school heavy metal, thrash metal, hardcore and punk all together, without sounding like standard metalcore. They really have a unique sound.

Can you tell something about yourself?

I am Jorgen Lodenstijn, 48 years old, I’ve been listening to metal for quite some time now. The first time metal really got me was when I saw a broadcast of a metal festival in the Westfalenhalle, Dortmund with Iron Maiden, Judas Priest, Scorpions and some other bands. It was 1982. It was broadcasted live and I watched it with my brother and sister. My parents were already asleep. I started with listening to rock and hard rock. My brother listened to metal before I did, but he doesn't like it anymore. At one moment, my brother made me listen to Iron Maiden's Powerslave and I really liked it. The album that really got me into metal for 100% was Ride The Lightning from Metallica, which he borrowed from a friend. After that I started discovering more metal. Besides metal I still really like the (hard)rock bands that I used to listen to. My favorite band is still Van Halen.

You also are one of the DJ's at metal concerts in Doornroosje and Merleyn in Nijmegen. How do you look at the crowds coming to those shows?

It's funny that you ask. I play metal/hard rock, which is of course a wide spectrum of styles. There are many subgenres and every subgenre has his own typical audience. For example, in my opinion the audience at female fronted metal shows is completely different from other metal-audiences. When they enter the venue, they start running to the stage to get a first row spot. I think it's funny, but you won't see that at other metal concerts. It's very typical, you won't see that when, for example, Testament of Slayer is playing a gig. Another difference in audience is at black metal shows. The post-black audience is very different compared to the traditional black metal audience. It will be a big difference when comparing the audiences at a Harakiri For The Sky show and an Inquisition show.

What was the most memorable show in Nijmegen for you?

It wasn't a phenomenal show, but it's more because they are a very special band for me. It was the Van Halen show at the Goffertpark. Another one which was really special for me was my first time Morbid Angel at the Altars Of Madness tour, when they were the support act for Napalm Death in the old Doornroosje. I liked Morbid Angel for a long time, but now I don't like them that much anymore, also because of all the issues around them. However, until their Domination album I was a big fan. I also really liked the Suicidal Tendencies show during their How Will I Laugh Tomorrow tour in 1988. That album is, just as Altars Of Madness, still one of my favorite albums ever.

What makes the metal scene in Nijmegen special?

To be honest, I am not really into the metal scene in Nijmegen. I go to concerts with friends, but I don't hang around in the scene. I don't go to Rockcafé Backstage for example, where I also DJ-ed for some time. Of course, musicians do meet each other, but I am not a musician myself. In the past, there used to be a metal scene, at Staddijk. That was a real metal scene, but after Staddijk closed, the real metal scene in Nijmegen disappeared a bit.

For metalheads coming from outside Nijmegen, what are some nice places for them?

For going out I would say Rockcafé Backstage and Doornroosje/Merleyn when there is something playing there that you like. Talking about record stores, Kroese has quite a lot of metal.

What are some bands from Nijmegen you would recommend?

It's not really metal, more like alternative hard rock, but I would very much recommend Navarone. I got their latest album and it even got into my top 10 of 2017. They are also great when playing live. In my opinion, the latest really nice metal bands from Nijmegen were Pure Breed and Iscariot. The first line-up of Iscariot were already making symphonic black metal with keyboards in the 90's. At some point their drummer Chaos, who sadly passed away, got a very punky drumkit contributing to their very unique sound. When they got another drummer and vocalist, their music turned a bit more to more average metal. It was better, but in doing so, they lost their very special sound. Iscariot with their first line-up, with Pieter as vocalist, was very special, especially at that time. Nowadays I don't know many metal bands from Nijmegen anymore to be honest.

Which already confirmed shows in Nijmegen would you recommend to go to?

I really look forward to Amenra. I would also say Golden Earring, because I listened to them during my youth. The last time I saw them was in 1988 and now they are coming to Doornroosje, hopefully I can be the DJ at that gig. Another one is of course FortaRock, which is something I always look forward to. I really like many different kinds of metal and I know FortaRock got a lot of criticism. I think FortaRock is a broad mainstream metal festival with something for everybody. That's how I look at it. The line-up for 2018 is a super line-up. Not all bands interest me, but looking at the line-up quality-wise it’s super line-up. Personally I am not really into Nightwish, but I think it's a perfect headliner.

Which band on FortaRock 2018 do you look the most forward to?

A lot. Body Count, Igorrr, Meshuggah, Thy Art Is Murder, Death Angel and Kreator are all bands I really like. Personally I am not into Alestorm and Avatar, but I saw both their club shows and they were perfect. Musically, Alestorm is not my kind of band, but I didn't get bored at their show, not for one second. Fantastic live performance and a euphoric audience, so they did a good job. Same story for Avatar. Of course, a band can be not to your liking but it can still be of good quality. Everybody has their preferences, so do I. For example, since Mike Portnoy left Dream Theater, it's not really a band I dig, but they are still good musicians. I would never say that they are nothing. I think they lost their spontaneity when Mike Portnoy left, he brought that rock 'n roll feeling. It's still good, but more clinical.

So, what do you think of Sons Of Apollo with, among others, Mike Portnoy?

I still have to check that one, it's also with Jeff Scott Soto, right?

Yes, it is.

I was a big fan of Yngwie Malmsteen, especially the albums with Jeff Scott Soto. Something I really appreciate is Dynamo Metalfest booking Sons Of Apollo.

Thanks for your answers! Is there something you would like to say to our readers?

Yeah, of course we are a community as metalheads. Luckily metal is still alive and it's still very relevant. I think we should look more at metal as one big family and should be less intolerant to subgenres we aren't into within metal. Be tolerant, also to subgenres you don't like. Diversity only makes the metal scene stronger. That will keep it being relevant.


Nijmegen's smaller venues Merleyn (which is part of Doornroosje), Maddogs (in nearby town Groesbeek) and Rockcafé Backstage (pub with some gigs) are also very interesting. However, the most interesting venue in Nijmegen's metal-past is for sure Staddijk, but unfortunately it doesn't exist anymore.

Read our interview with Theo Thijssen of Rockcafé Backstage here.


Hey Theo, how are you? What's your favorite release at this moment?

Sons Of Apollo, with Mike Portnoy. In the past Dream Theater was my favorite band, when Portnoy left the band I lost my interest in the band. For me, this release is his comeback.

It's a great release. Can you tell something about yourself?

Together with Astrid, I started at an illegal radiostation, Radio Rattenplan, with a metal show. I did that for eight or nine years. We worked with quite a few people, for example Walter Hoeijmakers from Roadburn and Johan Vosmeijer, who does a lot of things in the music industry. I also worked at Staddijk for 13 years, for 8 years of which I did the booking. We got some pretty big bands for a small youth center at that time. For example we got Obituary, Sepultura, Amorphis, Moonspell, Tiamat, My Dying Bride, Skyclad, Annihilator, Nevermore and Sacred Reich playing there. I also founded a magazine, together with Johan Vosmeijer, which was called Meltdown, which was the predecessor of Watt. Later we started one of the first webzines, Rock ezine. One of the nice things we did with Rock ezine was one of the first live reports. That was at Dynamo Open Air and we typed reviews and uploaded photos live from the festival through a dial-up connection. That was very experimental at that time.

You are the owner of Rockcafé Backstage. Can you tell something about its history?

Last December we existed for 26 years. We started in 1991 and we started it as a hobby, metal. In the beginning I worked for the owner, Astrid. We know each other from teacher education and were both interested in metal. We had a show on the illegal radiostation at that moment. At the end of the 80's Nijmegen lost its rockcafé, GS 9. We searched for almost 2 years to get a good location and through our brewery we found Rockcafé Backstage. At that time it was a student café, we thought it was suitable as a rock café and some live gigs. That was what we searched for.

What is it that makes Rockcafé Backstage special?

The atmosphere, we also have some customers who don't like metal, but still come here for the good atmosphere. It's open, free and we make sure that girls can also come in alone without getting bothered. We are an open bar but are very strict with customers who cross the line, who drink too much or misbehave. We also don't allow drugs.

About the interior, I see some pretty nice things. Can you tell something about it?

The painting on the wall (see photo) is made by five regular customers for the five-year anniversary of Backstage. It has a lot of metal references in it. It was a gift and we didn't know before we got it. When we were organizing a party at Kolpinghuis, they got it here and revealed it to us. It still is our eye-catcher. We also got an illustration of Eddie van Halen, because he's born in Nijmegen. It is made by a regular customer. In the back there are some band brands on canvas made by our DJ. There are also some guitars on the walls, one of them is from Astrid and the others are donated by guitarists who played here. A customer designed a t-shirt for our 25th anniversary, which is also on the wall, accompanied by the original sketches. Above that, there is the old Backstage logo made of moped parts as well as a little Saxon eagle made by Crusaders, the Saxon tribute band of some of our customers.

Sometimes, you also have gigs in this café, which one was the most memorable for you?

A lot. Every year our Iron Maiden tribute from England, Hi On Maiden, is very important for us. They have played here for 11 years in a row now. The most memorable gigs are of course the bigger bands we got. We got Skyclad, Tygers Of Pan Tang and recently Raven played here. For me, it's unbelievable that we got that kind of bands in our pub and on a small stage. When there is a gig only 80 people fit in.

Which band is on your wish list to book in the future?

Personally I would like to book Parris, a Thin Lizzy cover band from The Netherlands, but they're too expensive now. From the old bands, Diamond Head would be really cool. Maybe it would be possible in the near future. You never know.

Five years ago, or something like that, would you’ve thought you could get a band like Raven playing here?

No, I wouldn't have thought it. But, as it is often in metal, we got them through friends. Friends told them about our pub and they contacted us.

Are there any other special activities in Backstage you want to tell about?

We had a lot in the past. Every year around Christmas we have a lottery, which is different in metal than usual of course. Every year the Vierdaagsefeesten in Nijmegen are very important to us, we also have some gigs during that time. We used to do a puzzle-ride by car. We did a gig outside Backstage in the Kolpinghuis twice. There were more than 300 people inside, that was unbelievable. Personally, every Tuesday I choose one DVD or blu-ray and an album of the week, which is new or trending. Then we play them here and sometimes there are also some gifts from record companies. We also do a Top 50 every year. Our customers can choose a Top 10 and out of those, we choose a Top 50, in February. Most times, the list is very surprising.

What makes the metal scene in Nijmegen special?

The variation in styles. Most people think Backstage is more of an old school metal bar, but we also got some other styles playing here. In Nijmegen every style is represented, not only old school. With the new place for Doornroosje we got a great venue here now, which is also very important. It's a pity that a small venue like Staddijk is gone. And of course a festival like FortaRock is very important for a city like Nijmegen. FortaRock also does some club shows in Doornroosje so they are very important for the metal scene in Nijmegen.

How do you look at the metal scene in Nijmegen?

I think it is a healthy scene, otherwise a festival like FortaRock wouldn't exist. I think it's a pity that sometimes the older fans aren't very open to new, upcoming bands. We and Merleyn are the only ones in Nijmegen who book smaller bands as a headliner. The scene in Nijmegen is not as big as it used to be in the past. There used to be more bars, venues, bands in the 90's. When we went to Dynamo Metalfest with a bus from here, there were 100-150 people from a bar like ours attending it. That probably wouldn't be possible nowadays. There are also more young fans coming to the shows nowadays, which is great.

For metalheads coming from outside Nijmegen, what are some nice places for them to go?

Backstage of course. Besides that, in my opinion Nijmegen has one of the best venues in The Netherlands, Doornroosje. When looking at bars, besides Backstage there aren't really any metal bars anymore, but I would say De Bijstand. Of course the record-stores Kroese, De Waaghals, Vinylarchief and Obscuur. It's a pity that there aren't any more record-stores, but that's how the music industry is developing. Hernandez is also really cool, it's a comic store, but they also got some music.

What are some bands from Nijmegen you would recommend?

There is a new metalcore band called Apollo Rising, which played here for the first time this year. It's not my style of metal, but they're really good. There are some great cover bands, Crusaders, who played here a few times. Dead Man's Walk played here last year and it was their first time playing Nijmegen, but they are from here, which was really strange. However, it was packed that evening. The black metal scene in Nijmegen is really big, you have, for example, Misanthropia. Another black metal band who come from a nearby place, Groesbeek, is Asgrauw. The Unslain is partly from Nijmegen, a young band, who supported Raven here. There is also a great prog metal band called Armed Cloud. Then there is an old school death metal band Obeah, a more modern metal band Intero and for me one of the best bands from the region is Diggeth. They play a more stoner, Black Label Society kind of metal.

Which already confirmed shows in Nijmegen would you recommend to go to?

On February 3rd we have a Black Sabbath tribute in Backstage and on February 13th Ram, Portrait and Trial are playing in Merleyn.

Thanks for your answers! Is there something you would like to say to our readers?

I hope they still come to metal pubs, in regular and not only to big shows. In my opinion youth is not used to go to the pubs anymore. That can be a problem in the near future. I see it here, youth only comes for the live shows and not on a regular night, which is a pity. Otherwise metal pubs will become extinct.


We also interviewed a regular Rockcafé Backstage visitor and metalhead Jeroen Knippers, which you can read here.

Hey Jeroen, how are you?

I am fine.

What's your favorite release at this moment?

It will be difficult to name just one. After listening the new Morbid Angel album a few times now I keep discovering good tracks on it. It is the first album with Steve Tucker I like. Speaking of older releases I would say Survive by Nuclear Assault. Furthermore I really like Avé by Venom Inc. and Gods Of Violence by Kreator. For now, at this moment, it would be Morbid Angel.

Can you tell something about yourself?

I am Jeroen, 44 years old. I come from Nijmegen and I work as a mailman for 10 years now. I lived in Cuijk until I was 10 years old. Around 25 years ago I got my first experience with metal and rock. From that time it mostly kept that way. There was one period of a few years in which I went to less concerts and was less active, but the past years I am fully metal-minded again. A lot of listening to cd's, going to gigs, going to Rockcafé Backstage and talking about metal.

What are the metal subgenres you are most comfortable in?

My entrance in metal was in the beginning of the '90s. My first concert was a thrash metal concert in Staddijk, Lääz Rockit with Evil Death as support act. That was the first time I saw a band live on stage and it also was my first metal concert. It was awesome and exciting. I immediately met other people there and some of those contacts I still have, which is really cool. When I started listening to metal, there was a lot of death metal, Obituary, Sepultura, Entombed, Grave, Morbid Angel. Of course also quite some thrash metal, Megadeth, Metallica, Anthrax, Slayer, Suicidal Tendencies. In the 90's also some hardcore, Sick Of It All, Slapshot, Cro-Mags, Agnostic Front. I also liked crossover, D.R.I.. The more recent years I discovered quite some classics for me, got to see Iron Maiden a few times. Raven is a band I really like, as well as Van Halen. I listen to a lot, the only exception probably being the recent black metal. The earlier black metal, the earlier Norwegian bands, like old Enslaved, Emperor and Dimmu Borgir, was something I liked but I don't listen to them anymore. In almost every subgenre I prefer the old school way.

Having said so, are you still open for new bands?

I try to, but it's not always easy. I listen to everything on cd, listening to it digitally is not my kind of thing. Sometimes I forget it, but when I hear a new band which I really like, it's great. I had that with, for example, Vektor and Kryptos (India). Recently I saw a band I didn't know as support act for Channel Zero, Bark, which was really nice. Orden Ogan was another band I really liked.

What was the most memorable show in Nijmegen for you?

Looking back on everything I've seen, that would be Motörhead at De Vereeniging in 1993. It was absurd, very loud.

What makes the metal scene in Nijmegen special?

I think it's special that there's a metal pub like Rockcafé Backstage in a small city like Nijmegen. There are also some people here that are very music-minded and have been active in music for a long time. Of course, Nijmegen is a city for students, which makes some people stay here. Nowadays the metal scene in Nijmegen is small, but luckily it's still here, despite being it a bit less visible.

How do you look at the metal scene in Nijmegen?

I think it's more divided than it used to be. The old school metallers are in Rockcafé Backstage and the younger fans listen more to black metal, for example. It's less a unity and more divided by subgenres. People are also more sticking to their subgenres. Something I really like about Nijmegen is that a lot of people you see on the streets are people who play music. It's not only metal, but also rock or punk. Nijmegen is a pretty music-minded city. We have Doornroosje, Merleyn, some pubs booking bands, FortaRock and De Zomerfeesten (with, unfortunately, less metal during the past years). There were a few really nice editions of De Zomerfeesten with metal gigs at the Voerweg and De Affaire. That is something I would like to see coming back, especially because it's mostly outside at a time when the weather is good.

For metalheads coming from outside Nijmegen, what are some nice places for them?

When you are visiting Nijmegen I would recommend combining it with a nice gig in Doornroosje, Merleyn or Rockcafé Backstage. Sometimes there are also some nice gigs at De Onderbroek. We also got a few great record stores, for example Kroese and Het Vinylarchief. When you are a musician, there is a nice bass guitar shop, Paul's Bass Matters. When you are visiting during summer, you can go to De Zomerfeesten, when there's something for everybody. Last but not least, you can of course go to FortaRock and Rockcafé Backstage.

What are some bands from Nijmegen you would recommend?

There used to be a band called Emperors, a stoner band, but they don't exist anymore. Crusaders, A Saxon tribute band is nice, as well as Apollo Rising. Another band I really like is Dead Man's Walk, which is a bit underrated in my opinion. Of course there is Bambix, old punkers hailing from here and The Barleycorn Bastards who play folkpunk.

Which already confirmed shows in Nijmegen would you recommend to go to?

At this moment there aren't any shows in Nijmegen I really look forward to, hopefully there will be in the near future.

Thanks for your answers! Is there something you would like to say to our readers?

Stay active, keep going to gigs. For people coming from Nijmegen I would say come have a drink at Rockcafé Backstage. Support your local scene and support people who want to start something. Having negative critics while doing nothing yourself is easy, but not something I see as good.


Nijmegen also has it's festivals. At the beginning of the summer holidays there is a four-day walking event, called De Vierdaagse. Around those four days Nijmegen has a week full of music in all forms, called De Vierdaagsefeesten or Zomerfeesten. On some earlier editions there also was quite some metal, especially at the locations called Voerweg and De Affaire. Unfortunately, this became less during the last years.

However, don't be disappointed! Nijmegen also has its own metal festival, called FortaRock. This year's edition of FortaRock will take place at the Goffertpark on June 1st and 2nd. The lineup has Nightwish as its headliner and closing act on Saturday June the 2nd. FortaRock's lineup is very diverse and almost every metalhead can find something to their liking for sure.

Read our interview with Freek Koster of FortaRock and Doornroosje below.


Hey Freek, how are you? What's your favorite release at this moment?

Hi, doing well thank you. My favourite release…mmm, multiple I think. The City That Never Sleeps by Biblical, Nightmare Logic by Power Trip, Mass VI by Amenra and Necro Deathmorth’s Overland are albums that are played frequently lately, but I listen to a lot more music. I’m an omnivore if it’s music related.

Can you tell something about yourself?

Freek Koster, from Nijmegen, 42 years old, working as a promoter in Doornroosje and FortaRock, starting in 2003. I’m responsible for the heavy tunes in Doornroosje, Merleyn and the FortaRock festivals.

You do the bookings of FortaRock. Can you tell us a bit about FortaRock's history?

FortaRock started in 2006 doing clubshows in Doornroosje. Since then we have done over 175 shows in Doornroosje, but also in Merleyn. In 2009 the first outdoor festival was organized in Park Brakkenstein. The idea behind all this; to bring more heavy live music to Nijmegen and its fans.

What makes FortaRock's festival special compared to other metal festivals?

Well, to stand out between the rest of the festivals you have to be very, very special. We don’t claim to be just that. What we try to accomplish is to present new artists for the first time, together with already arrived artists in the heavy music genre, not metal only. First bands to be seen on an outdoor festival in the Netherlands were for example; Ghost, Gojira, Steel Panther, Babymetal. All this combined with an atmosphere that is not too uptight for the audience. People should feel relaxed, enjoy live music and be with friends.

Which shows under the FortaRock-banner did you already announce and which one are you looking forward to the most?

For next year’s festival we have announced Nightwish, Parkway Drive, Opeth, Body Count, Kreator, Meshuggah, Satyricon, Alestorm, Avatar, Baroness, Death Angel, Thy Art Is Murder, Igorrrr and Death Alley. More to follow. Always looking forward to ‘new’ artists and their performance. Igorrr, Avatar and Thy Art Is Murder are in that category.

For people who haven't gone to the FortaRock festival (yet), what can they expect?

A festival with great bands, rock and metal. A festival that is not overcrowded, located in a beautiful setting, especially this year. The mainstage will be at a different location compared to other editions. Great food and a wide variety of beers.

Any special things on the 2018 festival?

As mentioned, the lay-out of the festival will be totally different from other years what people might expect. We hope this will contribute to a great festival.

What makes the metal scene in Nijmegen special?

I don’t know if it is any more special than other cities in the Netherlands.

How do you look at the metal scene in Nijmegen?

I don’t have an distinct opinion about the scene at the moment. Nijmegen doesn’t have a rock academy like Tilburg which contributes greatly to a vivid and lively scene, but there are some great new rock and metal bands coming up.

For metalheads coming from outside Nijmegen, what are some nice places for them to go?

Doornroosje and Merleyn for the best venues in town, but also metal and Rockcafé Backstage. If you like great (locally brewed) beers, you have to visit Stoom or Café Jos.

What are some bands from Nijmegen you would recommend?

Galg, MNHM, Mt. Echo, Bismut, Rectum Raiders, Dead Man’s Walk to name a few.

Which already confirmed shows in Nijmegen would you recommend to go to?

I am extremely looking forward to the double show of Amenra with guests next week in Doornroosje and the Stevenskerk. Anciients is also a band to watch, they play March 4th in Merleyn. A great Canadian band for those who like Mastodon, Baroness and such. Fans who like folk- and symphonic metal should check out Ensiferum (May 13th) and Leaves’ Eyes (april 29th), both in Doornroosje.

Thanks for your answers! Is there something you would like to say to our readers?

My pleasure. Stay heavy and keep open-minded. There are still a lot of great new bands and records to discover…


Of course, Nijmegen also has its metal bands in various subgenres.

Within black metal a few examples are Asgrauw (hailing from Groesbeek), Sammath (not Nijmegen-based anymore) and Misanthropia.

Below you can read our interview with guitarist Dennis Schoenmaker and bassist Pepijn Heilbron of Misanthropia.


Hey Dennis and Pepijn, how are you?

Dennis: I am fine.

Pepijn: Combining work and music as much as possible and trying to find a good balance in that.

Dennis: That is something which is often underestimated. We are continually busy with this and as long as that is possible, we are doing great.

Pepijn: The outside-world often doesn't realize how much time someone can spend on being in a band and how important it can be for someone.

What is your favorite metal album at this moment?

Dennis: The new album of Testament, Brotherhood Of The Snake, is a great album. I also really dig the latest album of Slayer, Repentless, especially now that Gary Holt is part of them. I also discovered another band recently, Rocka Rollas from Sweden. They play classic heavy metal. Nowadays I am not very easily impressed with, to me, new bands. However, they're phenomenal. Megadeth's latest album, Dystopia, is also really nice. The latest of Behemoth is also very nice. I am a big fan of Behemoth, Dimmu Borgir and Cradle Of Filth, but also of, for example, Iron Maiden. For example, Pepijn is also a big fan of classic thrash metal. I think all those elements can also be found in Misanthropia's music.

Pepijn: I think it indeed sure does. The latest albums of Behemoth and Testament are indeed really nice. Nowadays I also watch a lot of music clips on Youtube. Recently I discovered Expander, a thrash/death/grind band from Texas that way. I also dig the latest album of Septicflesh, Codex Omega. Speaking of death metal, I think Bloodbath is very brutal, with Holmes on vocals. I also like the latest album of Paradise Lost, Medusa. Another album I really dig is Napalm Death's Apex Predator, with a fantastic intro.

Can you tell something about yourselves?

Pepijn: I have a job of 4 to 5 days a week and in the meantime I have a few hobbies I am busy with, my girlfriend and music being the most important of those. My girlfriend gives me all the space and time to make music, that's very important to me.

Dennis: That is very important indeed. I also work 5 days a week, as a truck driver. Of course, my family is number one for me, but the band and making music is something which is always in my thoughts. It's a lot of giving-and-taking in the home-situation.

You're both in Misanthropia, can you tell something about the band?

Dennis: Officially we exist since December 2004. Before that time I already played together with Bram (Koller) at the end of the '90s. At that time we were an old school death metal band called Mephisto. We were very fanatic, but also very limited. Internet wasn't very big at that time. I still remember the moment our drummer left, I had to call everybody I knew to find someone who knew a drummer. Later we continued with a female vocalist, a keyboardist and a drummer hailing from Den Bosch. At that moment we called ourselves Throned By Tyranny and played a style which nowadays would be called female fronted metal. A year later Bram and I asked ourselves whether this was what we wanted or not. It turned out it wasn't. We changed our name to Misanthropia and found a drummer who lived in Tilburg. At that time we went rehearsing in Tilburg, because of the fact that he had his drumkit and rehearsal space there. We did so for almost nine years and we also recorded two albums during that time. The first one, Rise Of Necropolis, was recorded in 2005 and was released in January 2006. We did a release party for that album in Staddijk, together with Shadowlord. The other album, Slang Des Doods, was released in 2010 and after releasing that one the misery with all the lineup changes started. First, our drummer at that time, Sarban (Grimminck), left in 2012. That was really difficult for me because of us having been a solid group for years. However, with the internet which got bigger, it was easier to find other musicians. Sarban was replaced with the drummer of Victimizer, Romeo (Gerrits). After a while he had to quit because of his back, but before that our bass player Maurice (Aalders) left because he suffered from rheumatism and his motivation had become less. As a replacement for him we contacted Pepijn. First he said he would only help us temporarily because of his other 2 bands. However, that was five years ago.

Pepijn: I wanted to help them, because they already booked a few shows, were arranging a time in the studio and almost finished a full-length album. We will see where it leads to, was what I thought. Then, we also recorded the album Omerta, which was mixed and mastered by Mike Wead in Sweden.

Dennis: We also recorded the drums in Sweden together with Mike Wead, guitarist of King Diamond. I became friends with him ten years ago. We always kept contact with each other. He also mixed and mastered our previous album, Slang Des Doods. So, he did the same with Omerta, which we all really liked.

Pepijn: All the recordings went very well and from that moment on things started changing. Our keyboardist, Thijs (Mulders), couldn't combine Misanthropia with his work anymore. He seriously thought a lot about it and eventually he left the band. He is a great keyboardist and a really nice guy. We still have contact with him and there are no hard feelings towards each other.

Dennis: Thijs also had a lot of responsibility when writing music for the albums, partly due to his dominant style of playing. Again, we went searching on the internet and finally got to David (Gutierrez Rojas). We called each other and he asked us to meet each other, because he thought it was important to also have a personal click. We also agreed on that being important, so we went to meet each other. He came to our show in Bibelot, Dordrecht. We also spoke with each other a bit, he turned out to be a really nice guy. So, we had a match and due to his videos on Youtube we already saw his quality of playing was great. Two weeks later, we played our show together with Carach Angren in P60 in Amstelveen. We had been looking forward to that show for quite a long time. Our idea was to play that show without a keyboardist, with the keyboards coming from the backing track in the laptop. However, David told us he knew the tracks and could join us already. That was one of the most bizarre moments I ever experienced with a musician. This was during the past summer. I still remember the most fun part of it all, which was with Pepijn. One week before that show we had our only rehearsal with David, but Pepijn wasn't there, because he was still on holiday. So, everybody but Pepijn knew what David was able to do. We entered the stage in Amstelveen and did our sound check with Omerta. Pepijn immediately started laughing out loud, because David's playing was perfect and he didn't expect that. His stage presence was also really great. It was insane.

Pepijn: So, almost everything in the lineup changed, except the guitar and vocal positions. Those stayed the same.

Dennis: It's not always easy, but there aren't hard feelings towards any of them.

Pepijn: It's like a cocktail. You remove something, add something else and get another taste.

So, the lineup as it is at this moment stays the same for a while?

Pepijn: Yeah, I think we are all very motivated and everybody has time and energy to stay for a while, also focusing towards creating new material.

Dennis: In my opinion this is the best lineup we ever had so far.

In which subgenre would you put Misanthropia yourselves?

Dennis: I think it is melodic black metal.

What is it that makes Misanthropia unique in the subgenre?

Dennis: The concept of it. Almost every black metal band is mostly Satan, witches, graveyards, death and destruction. I think it mostly is not very nuanced. I once saw an interview with Gaahl from Gorgoroth. The interviewer asked him what black metal means to him. His answer was Satan. When the interviewer asked what Satan means to him, he answered that it means freedom for him. When people create music they often cling to something, they don't want to deviate from it. In my opinion that happens a lot in black metal, a few examples being Mayhem, Burzum and old Immortal. It is great music but I always got the feeling that they cling to something which they don't want to deviate from. With Misanthropia we didn't do that, musically. That is something you'll definitely hear. Speaking about the concept it's again about freedom. Personally I really like gangster movies and those people got a very big level of freedom. Their level of freedom was so big that even the government listened to them. They oppressed everyone. In my opinion that is the top of Satanism, freedom-wise. When we went watching interviews about true stories on YouTube I saw things that really startled me. Those are things people don't talk about anymore, but we may not forget those things. All of those things are part of Omerta, all true stories. It is very unbelievable people could do those things to each other, that also was the feeling I got during writing the album.

What is your personally favorite track on Omerta?

Pepijn: It is one story, one concept.

Dennis: I really dig the title track. My personal favorite is Il Pasto Sanguinario. However, when speaking about the lyrics, I dig The Infinite Winter the most, which was written by Pepijn and Thijs. It's about The Iceman, also a true story. He is a family father with two children of Polish descent, raised in a very religious way and also strongly abused. He worked for the Gambino-family. He got a call and a picture and had to kill that person. He did that type of work for years, but nobody knew. When the cops finally arrested him, they interviewed him and when he was asked how many people he had killed he didn't know exactly but thought 200 people would be close to it. Nobody, including his own family had known about it. One thing about that story really surprised me. He killed someone in a car and the next morning he and his family were sitting at the table reading the newspaper. It seemed he killed a police chief who was very loved. His wife said the world was turned insane and he just sat there calmly. He was freezing his corpses so the cops couldn't define how long they've been dead.

You already mentioned you are creating new material, can you already tell something more about it?

Pepijn: We almost finished four tracks already, they just need some lyrics. We also want to write a few more songs. It will take a while before it's finished, also due to a lot of gigs. It will probably be another collaboration with Mike Wead.

Dennis: He also understands what we want.

Pepijn: We are very busy with the new material. We have a lot of parts of music and sometimes it really fits with other parts, sometimes it doesn't. As a band you create a lot of music, but you also have to scrape a lot.

Dennis: That also takes a lot of time.

Already any idea about when it will be released, or not yet?

Dennis: I hope to have all tracks finished in 2018 and hopefully we also get to record some of it this year. So, I hope to release it in 2019.

On February 17th you play at Veghel Blackfest in Willemeen. Can we expect some more Misanthropia shows in 2018?

Dennis: For sure. We play in Hoogeveen at Thomas Bulten's Birthday Bash, November 24th. We also play at Cayen in Enkhuizen, April 14th. In July we will play at a festival in the Czech Republic and probably also in Austria.

What was the most memorable metal show in Nijmegen for you, personally?

Dennis: I enjoyed Victimizer at the Valkhofpark. Another show which really impressed me was my first time seeing Septuagint, in 1991, when I was 13 years old. I think Septuagint is still one of the best metal bands from Nijmegen.

Pepijn: I was also in the audience at that show. The power/thrash metal they played wasn't a style many bands in this region played.

Dennis: I also really enjoyed the gig of Keep Of Kalessin, who I didn't know before, when they were the support act of Enslaved. Another show which was really nice was Gorgoroth with Shadowlord as support act in Staddijk. I also went to King Diamond a few times and saw Metallica in 2004, those shows were also awesome. I also went to Rammstein in 2013.

Pepijn: I saw In Flames in Staddijk, which was amazing. There were a lot of very great gigs in Staddijk. Iron Maiden in the Goffertpark was also very nice, especially with the lightning added to their light show.

What is it that makes the metal scene in Nijmegen special?

Pepijn: I don't know if it is special compared to other cities.

Dennis: I don't know whether it is special or not, but I like the fact that we had a lot of bands hailing from here. Throughout the years every band has been through its share of lineup changes. Many people already knew each other for a long time and ended up being in the same band.

Pepijn: One thing I noticed is that there is very few hatred and envy towards each other. Most people do not begrudge each other.

For metalheads coming from outside Nijmegen, what are some nice places to go to?

Pepijn: Doornroosje, Merleyn, Backstage, Maddogs (in Groesbeek) and De Bijstand are some nice places you can go to.

What are some metal bands from Nijmegen you would recommend?

Pepijn: All of them.

Dennis: Yeah, all of them. I think Bullhammers is very nice.

Pepijn: We (Bullhammers) play here in Rockcafé Backstage in June.

Dennis: Nice! In my opinion it's a band that is nice to watch performing. All of them are 100% musicians. I also really like Pepijn's other band Dead Man's Walk.

Pepijn: Of course I also like those bands, otherwise I would leave them. I only play in bands I really have some link with.

Dennis: Obeah is another really nice band. A reputable band from this region is Sammath from Jan Kruitwagen.

Which, already confirmed metal shows in Nijmegen would you recommend going to?

Pepijn: FortaRock is going to be really nice and I would say keep an eye on the agendas of Maddogs and Backstage.

Dennis: FortaRock is indeed very recommend. Also keep an eye on Doornroosje's agenda.

Thanks for your answers! Is there anything you would like to say to our readers?

Pepijn: Speaking about the earlier mentioned freedom I would say that music and every other form of art is a form of freedom. Another thing that seems to be forgotten very often is that it isn't a contest.

Dennis: The fun part of creating music is that every musician understands the language of it, no matter the genre they usually play.


On death/thrash level Dead Man's Walk is one of the biggest bands hailing from Nijmegen.

You can read our interview with Dead Man's Walk members Dennis Melkert (vocals) and Jeroen van der Grift (guitar) here.


Hey Dennis and Jeroen, how are you?

Dennis: We're fine, just had quite a few shows after a period of getting used to each other with our new drummer. Now we're in a flow again. A little too much maybe because we also want to record some new stuff.

What's your favorite release at this moment?

Dennis: For me it still is At War With Reality by At The Gates. It has already been released a while ago, but I still play that one very often.

Jeroen: I think it is the same for me, still not many albums can top that one.

Can you tell something about yourself?

Dennis: I am from Nijmegen and I am always busy doing something. Of course, playing music is one of those things. My home has a basement with a drumkit, guitar and bass guitar in there. Just playing music, it can be different styles within heavier music. Furthermore doing things in and around my home, doing stuff with motorbikes and hanging with friends.

Jeroen: Most of my time goes to my wife and child. Of course I am also busy with the house. Besides that of course our band, festivals, shows and sometimes a bit of gaming.

You are both in Dead Man's Walk, can you tell something about the bands history?

Dennis: Way back we were called Septuagint. I joined this band just before they changed that name. When I joined the bassist Pepijn was also already part of the band. Beside us there were 2 other guitarists and another drummer. We then changed our name to Aftershock, but after one year we knew that wouldn't be our future band name. At that moment we came up with Dead Man's Walk. After one of our guitarists left, we kept playing as a quartet until the other guitarist also left. At that moment we decided we wanted to have 2 guitarists again. At that moment Jeroen joined us, when was that, Jeroen?

Jeroen: That was around February/March/April 2011. A few months later Petra also joined us.

Dennis: Yeah, we had just finished two tracks and then Petra joined. From that moment on things went really well, writing songs, recording an album and playing a lot of music. Petra also is really good at planning gigs. Two years ago our drummer, who was with us since the beginning, left. He had other things he wanted to do and we parted ways without any hard feelings. I still have contact with him and he is also still busy with music, but not in a band. Our new drummer Rob is with us now for one and a half year. After a period of getting used to each other, we had some shows and got to know each other more. We are ready to create new material and to do a lot of gigs.

How would you describe Dead Man's Walk music?

Jeroen: A mix between Bay Area thrash and Göteborg-sound with a little bit of groove. That is how I would describe it in general. Sometimes we also have some more death metal parts, a bit of black metal and a few progressive parts.

Dennis: We don't completely fit in a subgenre, that isn't what we want to be.

Jeroen: We enjoy approaching each track different. Someone comes up with a part and the next time, when someone else got another part, it can go in a completely different direction than we thought before. Of course each track has an idea behind it, but it grows in time. Sometimes we end up with something good, but sometimes we also end up with something we still aren't completely satisfied with.

Dennis: We approach writing music as a full band process, not as a one person event. It happens in our rehearsal room. When someone comes up with something, everybody gives their own interpretation to it. We write a track as a full band, we don't write the music before.

What is it that makes Dead Man's Walk Dead Man's Walk?

Dennis: Within the heavier metal, that would be our variety. That's our power. I also think people enjoy seeing us play, there is something happening on stage.

Jeroen: The diversity in our tracks, but also some surprising twists in them. Sometimes we hear that we do things people didn't expect. Not being a regular band could be our motto.

Dennis: We also play serious music, but we don't take ourselves that serious. I think we also are a bit more accessible for some people with that attitude.

Jeroen: It doesn't matter what style of music you like, our music has parts to everyone's liking.

Dennis: Also for Britney Spears fans?

Jeroen: You don't know, but they are all Dead Man's Walk fans now.

Of course, this was a extreme example, but are there boundaries in your music?

Dennis: Yeah, it must be metal.

Only the more extreme sides of metal or isn't that necessary?

Dennis: Sometimes I thought about doing some clean vocals, but every time I try doing so, it's not what I want. I used to sing clean vocals in other bands, but in Dead Man's Walk I don't do that, it doesn't fit well enough. Even when we have a more melodic part in our music where clean vocals could fit, it still doesn't feel good, a bit too polished. That stops me from doing so. It has to have something brutal in it, especially for me as the vocalist. However, that can be pretty diverse, from black metal to brutal death metal, sometimes even more a growl instead of a grunt. I think that are our boundaries.

Jeroen: We also didn't do something with a clean guitar sound. Maybe that time will come, but for now it is distortion on and go.

Dennis: Of course we also have more doomy, melodic parts but it still has that touch of metal in it. Power metal is another thing we don't do. We like those boundaries, it's very clear and gives us a frame to work in, because we do everything together.

Jeroen: Everybody is fine with that frame, we see it more as an addition than as an obstacle.

Your latest release is the 2014 EP Life Denied, you already mentioned you have plans for new material. Are you already writing it or is it just a plan for now?

Dennis: Our plan is to go into the studio this summer at last to record a full-length. We already wrote a big part of it.

Can you already tell us something more about it or not?

Dennis: We will go a different direction, again. It will be a bit more extreme, with a few black metal parts but also a bit more Göteborg-touch with more melodic parts and rippers. It will be more diverse, more brutal but also will have a more melodic side. We also have some more accessible tracks, but that is relative. It won't be sing-a-longs or something like that. We worked out our sound a bit more. We got a more matured sound and we did of course grow as a band. Since we released that EP a lot has happened, also musically, with us. I think that can be heard as well.

The line-up also was a bit different back then, right?

Dennis: We had another drummer. Ingmar was a drummer with a very own style. For example, he was very good with his arms, which made him creative in his very own style. Now we also have a great drummer, but he is very good with his legs. He is also good with his arms, but different. Writing tracks is easier this way, but it is very different compared to earlier with Ingmar.

Jeroen: Everybody has his own preferences and ways. That was why we needed a period of getting used to each other. We all knew Ingmar very well, now Rob is only with us for a year and a half. For that matter it's a bit like starting over again. Musically you all have to start thinking in a new way.

Dennis: When he joined us, he learned the set we would play at Occultfest in 6 weeks or so, with even a holiday within those six weeks. He had to hurry there, after that we started looking at what we all wanted together. Things change, but that is a good thing. Of course our sound will be a bit different because of this, which also can be heard on the upcoming album.

Do you expect to release it in 2018?

Dennis: I don't know that yet. When we will release it, we want to do it in a complete way. Everything must be perfect, everything included. We are very busy to develop that. When it's possible we will release it in 2018, but it depends on when we have the last few tracks finished and whether we will make choices or not in the tracklist. However we strive to release it in 2018, but we don't know how things will go.

You already confirmed five shows for 2018. Can we expect some more Dead Man's Walk shows soon?

Dennis: For sure, we will announce some more shows, but we also want to focus on the album. That is something we've decided to be our top priority for now. Of course, we will still do some shows, there will be more than those five we've already announced. It would be nice to do a show per month, so we can also stay in the flow of doing shows. That is something which is also important.

What was the most memorable show in Nijmegen for you?

Jeroen: For me, that will be back in the days of Staddijk in the '90s. The most awesome show I saw there would be In Flames during their Whoracle-tour with Borknagar as support act.

Dennis: The period of Staddijk is for sure a very special period for me. I saw a lot of bands playing there, I can't describe that with one band or show. It is truly disappointing Staddijk doesn't exist anymore. It was a very special place, at a distant location, but it was a bit obscure because of that. Staddijk also was my first experience with Nijmegen when I went here as a 17-year old. Since that time I saw a lot of bands there, including the scene around Staddijk itself with bands like, for example, Pure Breed and Victimizer. Something else I really liked was FortaRock when it started in Park Brakkestein.

Jeroen: I just wanted to say that, FortaRock in Park Brakkestein. It was not very big and had a nice atmosphere. It didn't matter which bands were playing, there were a lot of people you knew, so you just went there for the atmosphere.

Dennis: You could indeed go there on your own and you would see people you knew for sure. Furthermore Backstage is also nice, as was Genesis in the past. Nijmegen always has been a nice place when talking about the scene here.

What makes the metal scene in Nijmegen special?

Jeroen: The fact that a lot of people in it know each other. It's a shame Genesis doesn't exist anymore, but Backstage still is and is also still organizing shows.

Dennis: The scene in Nijmegen also supports itself. There are a lot of new things going on from people who start something because of their enthusiasm. Some great things started that way. That is what makes the scene great, the things that come from the people themselves. I also think it's great that a venue like Doornroosje also supports that scene. De Roos Van Nijmegen also used to be a great stage for new metal bands. Now it is a bit bigger and more commercial, so it's not how it used to be. However I have this feeling that it's changing back again for a bit. I think metal is becoming a bit more interesting for Doornroosje again, especially now that FortaRock is working together with them. Of course they also organize some smaller gigs in Merleyn. I like that things can also come from the audience.

Jeroen: There also is room for that. Metal has a platform in Nijmegen. Culture in general is very important in Nijmegen, I really like that. For example, it is always nice at the Zomerfeesten. There is a lot happening here culture-wise, also besides metal. That was what made me move to Nijmegen when I was 19. I still think it is that way, culture-wise Nijmegen is doing a great way.

Dennis: There is a lot to do indeed. However I have a feeling there was a period in which it was a bit less, but it can also be that way because I was a bit less part of it back then. What disappoints me is that the only place doing metal gigs during the Zomerfeesten nowadays is Backstage. There used to be a stage for metal at the Valkhof-park, but at one moment it disappeared. It would be nice if that would come back.

I completely agree with that. How do you look at the metal scene in Nijmegen nowadays?

Dennis: There are a lot of new bands. Merleyn and Backstage are some places new bands can still have a chance, but besides those there isn't that much platform for new metal bands. As a local band from Nijmegen you won't play FortaRock very easy, so that also isn't an option. Speaking about FortaRock, it's great to go to a complete metal festival and go to your own bed afterwards. That's awesome . What makes me happy is that there still happens a lot at Backstage.. I think that is what keeps the scene alive, there are still new people getting attracted to metal. Maybe it is on a bit different level than it used to be, but it still is alive for sure.

Jeroen: It raises the expectations nowadays, when you are a new band Backstage is the place you want to be. Unfortunately a venue like Staddijk isn't there anymore.

Dennis: Compared to the past the rehearsal rooms did improve. There used to be a musty basement at Doornroosje, you have to leave that place before you got breathing issues. We also rehearsed in De Onderbroek for a while.

Jeroen: De Koopvaardij was another musty place. I also rehearsed in the parking boxes besides the Augustijnenklooster with another band. Someone got us that space, but at one time everything inside it was stolen.

Dennis: The rehearsal rooms are better now. Musicians who want to rehearse somewhere can easily do so now. Of course, the prices are also a bit higher, but it is all facilitated in a good way.

And how do you look at the metal fans in Nijmegen?

Dennis: They're awesome and enthusiast. In my opinion Maddogs in Groesbeek is also part of this scene. When we play here, which we don't do that often, there’s a great audience to play for. Good atmosphere, great response and very enthusiastic, those evenings are always nice. I really like the scene.

Jeroen: Last year we played in Backstage and it is always nice. Especially when it's a place you go to regularly for a long time and everyone you know shows up, that's great.

Dennis: I identify with everyone from Nijmegen who went into the metal scene. I am proud of that. That is what makes it different for me when I play in Nijmegen compared to other places.

You already mentioned it, you don't play that often in Nijmegen, is there a reason for that?

Dennis: Two times Backstage and a few times Maddogs indeed. Relatively not much. It's just the way it went.

Jeroen: Petra plans a lot of our shows, she lives in Arnhem. Sometimes you have quite a full schedule of shows and you don't think about the fact that you have to play in Nijmegen once in a while. Things go as they go. When people ask us if we want to play somewhere, we won't say no because of the fact that we didn't play in Nijmegen yet.

Dennis: It isn't a must for us or it just didn't fit into our schedule. In my opinion, when we play in Nijmegen, it must be our evening, not opening for 2 other bands or something. Only if it fits in our schedule, is set up in a good way and when it feels good.

For metalheads coming from outside Nijmegen, what are some nice places for them to go?

Jeroen: Of course Backstage and De Bijstand.

Dennis: Doornroosje is awesome. Other nice places are for example the pub we are now (Café In De Blaauwe Hand). It isn't metal of course, but it is the oldest café in Nijmegen. It is a few hundred years old and has a really great atmosphere.

Jeroen: You also have great beers here, just as in De Hemel, Cafe Jos (in Nijmegen-Oost) and Samson.

Dennis: Sometimes Merleyn also has some great shows. Not that big and known bands but it can be surprising sometimes. De Vierdaagse is also really great and chilling at De Kaaij is also pretty relaxed. You can just go there, bring your stereo with metal and make a camp fire at the beach.

What are some bands from Nijmegen you would recommend?

Dennis: Of course Bullhammers, I also dig Obeah. Of course also all the bands from the past. Unfortunately Victimizer doesn't exist anymore, but I have to mention them. It was one of the most awesome bands from Nijmegen back then.

Jeroen: Misanthropia is great. Another one is Asgrauw, which we shared our rehearsal space with. Besides that of course Intero.

Dennis: Misanthropia is a great band for sure indeed, they are going full speed now.

Which already confirmed shows in Nijmegen would you recommend to go to?

Dennis: I would recommend going to Monster Magnet in Doornroosje, at May 5th.

Thanks for your answers! Is there something you would like to say to our readers?

Jeroen: Sure, February 23rd we play in Willem Twee in Den Bosch. During Ascension Day we also play at Hemelvaart Metalfest in Brigant in Arnhem. It's a festival organized by Petra (our guitarist). She used to organize it in Cafe 545 in Ede, but nowadays it is in Brigant in Arnhem.

Dennis: Keep the scene alive and when you are capable of setting up something new, be sure to do so and make sure Nijmegen stays on the map of metal. The local new things make the scene in Nijmegen, the other things will follow.

Jeroen: Go to the local bands, keep the local venues open. It is also very important for new bands that all those new things are accessible. Of course it is also great that people show up. The step from locals pubs to venues like Doornroosje is very big and you don't go to those venues without the support of local pubs and fans showing up at those small shows.

Dennis: The metal scene in Nijmegen is very great and I hope it keeps that way!


Another great band is the folk/viking metal band Myrkvar, of which I interviewed drummer Roel Steijvers here.


Hey Roel, how are you? What's your favorite release at this moment?

Mmmm, speaking for myself of course… I would say Urn by Ne Obliviscaris. But soon Arkona will release a new album, as well as Heidevolk. And our singer/keyboardplayer Faber has composed and orchestrated all the folk elements in this Heidevolk release.

Can you tell something about yourself?

Sure, my name is Roel, but in Myrkvar I call myself ‘Arbudon’. I joined the band in 2007, when former drummer Hugo decided to join Shadowlord, also from Nijmegen. My first gig with Myrkvar was at Occultfest in Hoogeveen and since then I’ve played a lot of venues. I studied in Nijmegen from 1994 to 1998 and lived there from 1997 to 2001. Now I live in Westervoort, I’m married and have two children. I teach at a primary school in Apeldoorn and play the drums in various projects. In Myrkvar I am a kind of ‘regulator’. I manage the e-mail, Facebook, finances and web shop for the band.

You are in Myrkvar, can you tell something about the bands history?

Myrkvar was started by guitarist/vocalist Pieke Schoonbrood in 2003 as a black metal formation. After the first demo On Broken Wings, some band members left. A new guitarist, Rik, joined the band and shortly after, Faber as well. They began to change the musical style to a more folk/pagan subgenre. Klaartje then joined the band, playing the violin and in 2006, bass player Karel completed the band. They recorded the first album Als Een Woeste Horde and a contract with the Belgian record label Shiver was signed. In 2007 I joined the band and Pieke left. We decided to let Faber do the vocals. In 2008 the first album was released and a lot of shows were played during the following years. In 2012 we released the second album As En Bloed, a concept album about the Ragnarok. We received a lot of positive reactions and the album sold very well. But unfortunately, time became an issue for the band members. New jobs, new projects and parenthood resulted in that we weren’t able to put as much energy in Myrkvar as before. But even though we played less shows, we were able to create a new EP. There was no new contract with Shiver, so in 2016 we released Plunder & Brand independently and played a few shows with Walter on bass, because Karel had moved to the USA. In 2017 no shows were played, but last week we had a new show in Westervoort. We realized that we had missed playing together, so maybe some new activity can be expected in 2018…..

How would you describe Myrkvar's music?

Folk/pagan/viking with a hint of black metal. Fast blasts, funky melodies, dark tunes, grunts and clean (Dutch) vocals in a heavy mix. It’s like Finntroll meets Turisas, clashing with Heidevolk and Arkona.

What makes Myrkvar special compared to other bands in the subgenre?

The mix in grunts and clean vocals in combination with a lot of violin, piano and other classical instruments. And we make a lot of fun during our shows.

Your latest release is the 2016 EP Plunder & Brand, do you already have any plans for new material?

Not a concrete plan, but some ideas to work on ;)

Can you tell us something about it? How will it be compared to Plunder & Brand?

Too soon to say…

In 2018 Myrkvar exists 15 years, how do you look back at the past years with Myrkvar?

Exciting, heavy, fun, creative… just some words that come to mind. All the members from 2003 have left the band. Rik, who joined in 2004, is now the only ‘semi-original’ member… I think we’ve grown, from students trying to play as much as they can to an adult music project. We played a lot of shows, had great reviews internationally and made a lot of fantastic friendships during all those years.

Anything special planned for celebrating this?

No, the ‘new’ Myrkvar exists since 2006, so we celebrated our first decennium in 2016 with the release of Plunder & Brand.

You recently played at No Sleep 'Till Wieleman II at Zalencentrum Wieleman, Westervoort, January 13th. Can we expect some more Myrkvar shows soon?

Hopefully, we can be booked via this emailaddress.

What was the most memorable show in Nijmegen for you?
We played a lot in Nijmegen, but in 2008, at the Vierdaagsefeesten, we had the honor to support Heidevolk and Finntroll at the open air stage ‘Valkhof Affaire’. The field was packed with metal fans and the cheers were amazing, you can check it here!

What makes the metal scene in Nijmegen special?

None of us live in Nijmegen anymore. So, that’s a bit hard for us to answer. It’s small but strong that’s for sure.

How do you look at the metal scene in Nijmegen?

Same answer… sorry.

For metalheads coming from outside Nijmegen, what are some nice places for them to go?

Well of course there is Rockcafé Backstage. And now and then great bands can be seen at Doornroosje and Merleyn. And you can also visit Maddogs in Groesbeek (village nearby, where we shot our video for Gjallarhoorn).

What are some bands from Nijmegen you would recommend?

Misanthropia (with former Myrkvar drummer Hugo) and Crusaders (Saxon tribute).

Which already confirmed shows in Nijmegen would you recommend to go to?

Fleddy Melculy, VUUR and Ensiferum. All of them play in Doornroosje soon. And of course FortaRock Festival in July!!

Thanks for your answers! Is there something you would like to say to our readers?

Thank you for supporting the Dutch metal scene. Please visit our website for more info and links to Myrkvar \m/


Armed Cloud is also a band hailing from Nijmegen which is definitely worth listening to. This band plays more symphonic-focused metal.

Below you can read our interview with their keyboard-player Remco van der Veen.


Hey Remco, how are you? What's your favorite release at this moment?

I’m great, thank you. There are so many great releases this year. Currently I’m really enjoying the new albums by Elvenking, Beast in Black, Wintersun, and TDW, when it comes to metal at least, but I always try to listen to as much new albums as possible.

You take care of the keyboards and backing vocals in Armed Cloud, a band from Nijmegen. Can you tell us something about Armed Cloud's history?

Sure. I think it is now almost seven years ago that Boris Suvee (bass) and Wouter van der Veen (guitars) joined forces to start what would become Armed Cloud one year later. When they moved to Nijmegen it really took off. One year later we recorded our first EP Shroud of Rain and entered various band contests, one of which we won. Our first album Obsidian Desert was released in May 2015 and it was received quite well actually. Now we just released our second album called Master Device & Slave Machines and we’re still kind of awaiting people’s responses to it, but so far it has been very positive.

How would you describe Armed Cloud's music?

I find this always a tough question to answer. We try to market ourselves as symphonic metal, but there’s no denying that we have influences from progressive rock/metal, as well as hard rock and even pop music. I suppose if you’d throw bands like Fates Warning, Korn, Avenged Sevenfold, Rainbow and Savatage in a blender, you would get Armed Cloud anno 2017 as a result.

Recently, you released your second full-length album, called Master Device & Slave Machines. When you compare this new release with its predecessor, Obsidian Desert (2015), what is it you notice?

Something that we feel strongly, but what people also tell us, is that the new album is more mature than the debut. On Obsidian Desert, I think you can hear more influences from 80’s metal and power metal, whereas the new record feels more modern. We’ve grown as musicians, songwriters, and we’ve grown tighter as a band. I think the new album was made more consciously as an album, whereas Obsidian Desert was a collection of songs we used to play around that period.

You just had the release party of this new album. How was the audience's response?

It was unbelievable. The whole promotional cycle of the album before its release was hectic and stressful, but the response of the audience was worth it one hundred percent. Merleyn was filled to the brink with people and the reactions were very positive.

Can we expect some more Armed Cloud shows soon?

Definitely. We have a confirmed gig in Arnhem’s Willemeen on February 23rd, together with prog giants Knight Area, but there are many ideas for more gigs in the works. People can follow us on Facebook and Twitter if they want to be notified about it.

What makes the metal scene in Nijmegen special?

It’s very diverse. I distinctly remember this night organized by the great people from Rockcafé Backstage, where six local bands were asked to play a short set in honor of the café’s anniversary. We opened the night. Stylistically, it went from symphonic metal to heavy, from sludge to death, and from thrash to a little bit of black. There was something for everyone there.

How do you look at the metal scene in Nijmegen?

I never really got a good look at the actual metal scene in Nijmegen, since it’s hard to pinpoint an exact place where most local bands play. I guess it’s hard to find a venue here that offers a stage for many local bands, maybe with the exception of Backstage. From what I’ve seen, though, it seems that people are very open.

For metalheads coming from outside Nijmegen, what are some nice places for them?

Definitely Rockcafé Backstage, which is a real proper metal café with a great ambience. Alternatively, Doornroosje and Merleyn book some great metal bands from time to time.

What are some bands from Nijmegen you would recommend?

I once saw Intero live and they were absolutely amazing, and very heavy. I’m not sure if they’re still active, but we once shared the stage with Erazer, which was some great 80’s-inspired heavy metal. Also, Diggeth is very worth checking out.

Which already confirmed shows in Nijmegen would you recommend to go to?

Doornroosje is going to house Steak Number Eight, Amenra, and Septicflesh in January.

Thanks for your answers! Is there something you would like to say to our readers?

Stay metal and support local bands! ;)


A band that can't be left without mention is the partly Nijmegen-based Stentorian. Unfortunately this band already broke up a while ago.

We interviewed one of their guitarists and metalhead Paul Hendriksen below.


Hey Paul, how are you?

I'm fine, busy with music among many other things. I work as a sound engineer and I also play guitar again since a few years. I recently joined a southern rock band called Memphis Belle. We play southern rock like Lynyrd Skynyrd, but also a few more melodic kinds of things. A bit like The Allman Brothers, the old music from the '70s. I do that for fun, but of course we want to deliver good quality. First of all, we are now focusing to getting used to each other playing together and getting a good sound. That's why we mostly do covers now, but we'll work with our own songs in the future. For my job I still work a lot with music, I am a sound engineer and theater technician. Since 9 years I am the music-specialist at De Lindenberg. I also do pop and jazz there, unfortunately there isn't that much metal there. Before that job I worked as a technician at Doornroosje for 15 years, which got a lot more heavier music. However, now I am very satisfied with my job at De Lindenberg. Due to getting older the dance-nights at Doornroosje also got more difficult to do. Now, at the theater, my work is still varied and at different times, but it rarely takes the entire night. Writing and playing music is mostly a hobby for me nowadays.

What is your favorite metal-album at this moment?

It's an album which is a bit older, Youngblood by Audrey Horne. It's not their latest album, but their album from 5 years ago. It's been a while since it's released, but it still is the album I listen to the most. Furthermore I listen a lot to the latest album of Mastodon and I really dig Baroness. Post-metal is something I really like. Speaking about death metal, I often listen to Gruesome.

Why is it that you still listen the most to Audrey Horne's Youngblood, despite it being a bit older release?

That is because they combine some things I don't hear that often. Within metal most times it's a band with good riffs and melodies, but with less song-quality or it's a band with good songs, but then I miss the great guitar-parts. I am a guitarist myself and I like it when guitars are headlining in a band. In my opinion Audrey Horne has a really great combo of good compositions and very strong guitars without getting too technical. The only thing that probably could be better is that it sometimes sounds a bit outdated.

So, it's better than their two later released albums, Pure Heavy (2014) and Blackout (2018)?

Yeah, for sure. Pure Heavy is very commercially produced. It still is pretty melodic, but the choruses have a high sing-a-long content. For me, Youngblood is their best album.

A while ago, you also was part of a metal band called Stentorian. Can you tell us something about that band?

It was a second wave doom/death band from Nijmegen and Arnhem. We started shortly after Pestilence started and after the first Gorefest-release. It was at the end of the '80s/beginning of the '90s when a second wave of doom/death bands was occurring in The Netherlands. It was a very big scene with 8 a 10 sub-top bands. We were one of those. It was a very big scene inspired by the Göteborg-scene and the UK-scene at that time with bands like Paradise Lost and Cathedral. When we started our music was really slow, like the first Paradise Lost-tracks. After a while we put more speed in our music. We got some great reviews in the Aardschok and someone from DSFA Records put our music on a compilation CD. That was what brought us further. We got the second place at the Gesel van Gelderland-contest and started playing with bigger bands like Gorefest, Napalm Death and Therion. From that moment on we were also able to headline the smaller venues. It all went pretty well, venues like the old location of Doornroosje were very busy when we played and we sold out venues like Willemeen. We did it that way for 10 years, then we broke up because of musical differences. Looking back, wanting to do something different musically wasn't maybe not the best choice back then. Another reason, which was a reason for the scene in general, was the uprising of nu-metal. The more complex metal, which we often played especially at the end of our career, gained less interest of people. When you go through a lesser period, after a long successful period, you should have the power to keep going. The bands who did so, later got their extra boost. The best example of that is Asphyx. They already existed at that time, kept going and now they are more known than they've ever been, especially outside The Netherlands. After The Rack, their debut, nobody expected it to be this way. With Stentorian we released 1 album, Gentle Push To Paradise, via Displeased Records. Without promotion, it sold very well. It was beyond our expectations. It was very well-known in the underground scene, we still don't know exactly why. At one moment I went to the biggest record store of Europe at that moment, Tower Records at Piccadilly Circus in London. There was a special section for us, that was amazing. It was a very nice period with a surprisingly big impact in this area. People still talk to us on the streets because they enjoyed our music. That is amazing, especially after such a long time. I also taught Paul Baayens, guitarist/songwriter of Asphyx, too play the guitar. He immediately was the most eager student and I am proud he got so far. It is nice to see that his music brings him much further than me with my music.

When did Stentorian break up?

We broke up in 1999. We tried to do something different as 3 Years Laundry, after Stentorian broke up. Without grunts and a little bit calmer, a little bit like Faith No More, but suddenly I couldn't play guitar anymore. Suddenly I suffered from chronic RSI. I was playing the final of De Roos Van Nijmegen with a stoner rock band, but I had to quit, which was sad. It was caused by playing guitar too much and having too much bands at the same time. At that time I played in five bands. Stentorian was my main band, but I did a lot of different things besides it, one of them being that stoner rock band. I started to dig stoner, which was caused Gorefest's Soul Survivor. It got a lot of stoner rock influences. The stoner rock band I was part of was together with Peter Onstein, who organizes Oranjepop nowadays and Michel Spruit. Together with Michel, Marcel van Hal and Peter Dragt (of Bambix and Pure Breed) we started a Kyuss cover band. After 6 or 7 years that Kyuss cover band became the band called Emperors. The longest time I played in a Nijmegen-based band was with them. I was part of Emperors for 11 years, they broke up a year ago. I started Emperors together with Simon Snel (Black Bottle Riot), Ralluf (Intero), Marcel and Noel. Simon was the first one who quit Emperors because Black Bottle Riot started doing well.

So, Memphis Belle is your only band at this moment?

Yes. Besides that I am searching for people to start a good metal band with. I got many great ideas.

And how about a possible Stentorian-reunion?

I don't think that is going to happen. A few things should change first. We didn't break up in a bad way, but practically I don't see it happen. Another reason is the drummer having a very busy schedule. He is a professional musician and is doing very well. At this moment he has a job in a big musical and he also drummed a few years in Stream Of Passion. I don't completely exclude a reunion, but I don't see it happen soon. We once had a reunion, after 10 years. It was very successful, got some great reviews, but I think that was the end. I don't exclude working with some of the members of Stentorian by the way.

You already said you like doom/death and stoner. Are there any more styles in metal you dig and, if so, which styles?

Sure. I already sort of mentioned it when talking about Audrey Horne. I am a great fan of the older, two-part things. I love things like Iron Maiden. I also like a lot of doom and death metal. Post metal is something very interesting for me because a lot is happening in there from a musician’s perspective. Musically, I don't like post metal all the time, but it is very interesting. I hear where it is coming from and I think it's interesting how they embed that into their music. Mastodon is a perfect example of that. I don't like all their albums equally much, but what they do is interesting. Recently I saw them in Berlin and their show was quite impressive. Their recent albums might be a bit less compared to the earlier ones, but they perform in a very nice way at a live show. They also have a very good additional live musician since a short while, Neurosis' vocalist Scott Kelly. He really is an extra, because he is singing much better. I like many styles of metal. However I can be very clear about what I don't like, which is nu-metal. The main reason for that is because it doesn't have much melody in it. I really like melody, which makes me also listen to a lot of things outside metal. Of course a lot of more extreme metal also has a lot of melody as counterpart in the music. I really like that. Death metal is something I like almost all the time.

Even the more ramming, old school death metal with less melody?

Yeah, I also like that. However the reason I like that is different, it has more to do with nostalgia. So, that is why I am a bit more forgiving to that style. Of course there are some great exceptions in the more ramming, less melodic styles. For example, the older thrash metal bands got less melody, but I also like that very much. Another big exception for me is Obituary, I really love that band. I think I really like a ramming style band when it is very filthy, because with that they make a statement.

What was the most memorable metal show in Nijmegen for you?

There's not one particular show my favorite, but the early 90's shows from Annihilator (Doornroosje), Obituary (Staddijk "Cause of Death" tour) and the first Neurosis show at the old Doornroosje venue were pretty impressive.

What makes the metal scene in Nijmegen special?

In my opinion there is a bit of lack in unity. It seems like there are little groups of metalheads at many different places, but there isn't a real coherent scene. Of course there is a pub like Backstage. It's a place I visit regularly, but I don't see many younger people there. Back in the days all metalheads went to Staddijk and all other music fans went to Doornroosje. Of course, Doornroosje also got some metal bands on stage regularly, but the people from Staddijk didn't go there. I didn't get that, because the bands were great. Sometimes they literally said "it is in Doornroosje", which was for them a reason not to go to that show. Of course, the fact of Staddijk not existing anymore is a tragedy for the metal scene in Nijmegen. The heart of the scene is ripped out. I really appreciate the way Doornroosje and Freek (FortaRock) try to fix this. They do a great job. Of course an annually returning festival like FortaRock is awesome.

Are you also going to this year's edition of FortaRock? Which bands are you looking forward to the most?

For sure. Speaking about the bit older bands I really look forward to Death Angel and Kreator. I am a big Kreator fan. One of my all time favorite bands is Opeth. Meshuggah is amazing live. Baroness is another band I really like. I also like one of their latest additions, Dool. Something I am curious about is Igorrr. I saw them once, which was the worst performance I ever saw at that time. After that show I listened to their music a few times and it made me curious again.

For metalheads from outside Nijmegen, what are some nice places to go to in Nijmegen?

Doornroosje, the quality of the sound is phenomenal at their new location. They are clearly number one at my list of venues when it comes to the quality of the sound.

What are some metal bands from Nijmegen you would recommend?

Unfortunately Obeah still don't get very much attention. I think it is the greatest metal band in Nijmegen nowadays, their style is little bit like Obituary, they also got some Pestilence influences. They released a demo and it is very nice. Another upcoming band I like is with a guitarist coming from Nijmegen. It is the new band of George Oosthoek called Shinigami. Another nice upcoming band is Bismut. They just signed with Pink Tank Records. Their style is a mix of metal, mathcore and stoner. Bismut is a band with members of Bandito, Emperors and Geiser. They only exist for a year now and they already got their record deal. Their first full-length will be released in October. Another band I really like is Mt. Echo.

Which already confirmed metal shows in Nijmegen would you recommend to go to?

FortaRock of course. Lonely Kamel is also a really nice band, they play in Merleyn, April 16th. Another show I would recommend going to is Anciients and Black Wizard in Merleyn, March 4th. Fleddy Melculy and Rectum Raiders in Doornroosje, March 23th and Monster Magnet and Monolord, May 5th in Doornroosje are also nice gigs to go to.

Thanks for your answers! Is there something you would like to say to our readers?

Keep the metal spirit alive, because it is an very great genre. We make the scene together, so keep going to concerts. That way bands can keep touring and doing the things they're good at.


When you are in Nijmegen and are looking for some nice metal-albums, be sure to pay a visit to Nijmegen's record stores: Kroese, De Waaghals, Het Vinylarchief and Obscuur.

As said before, let us know what you think about this feature (and this first edition) and also be sure to let us know which local scene you want to read about in the future.

Written by Tim van Velthuysen

Mentioned bands (partly) from Nijmegen:
Misanthropia
Dead Man's Walk
Myrkvar
Armed Cloud
Stentorian
Memphis Belle
Bullhammers
Van Halen
Navarone
Pure Breed
Iscariot
Crusaders
Apollo Rising
Asgrauw
The Unslain
Obeah
Intero
Diggeth
Emperors
Bambix
The Barleycorn Bastards
Galg
MNHM
Mt. Echo
Bismut
Rectum Raiders
Sammath
Victimizer
Shadowlord
Erazer
Shinigami
Bandito
Geiser

Venues/cafés in Nijmegen:
Doornroosje/Merleyn
Rockcafe Backstage
Maddogs
Staddijk
De Bijstand
De Onderbroek
Stoom
Café Jos
Café In De Blaauwe Hand
De Hemel
Samson

(Record) stores in Nijmegen:
Kroese
De Waaghals
Vinylarchief
Obscuur
Hernandez
Paul's Bass Matters

Festivals in Nijmegen:
FortaRock
Vierdaagsefeesten/Zomerfeesten
De Roos Van Nijmegen
De Kaaij